Wow. Ow. I look at this guy's work for a few minutes and my brain
starts to twitch and sing "In-A-Gadda-Da-Vida."
It's too bad that the fine art of LP album covers is long gone. Paul
Laffoley's visions would look great wrapped around some Pink Floyd,
methinks. Unfortunately, his art is not plentiful on the Web. The only
Laffoley work on which I could find a price is "The Alchemy of
Breathing," a numbered, limited edition silkscreen, for $750:
Roq La Rue Gallery of Strange Visions
http://www.roqlarue.com/coolstuff/coolprints.html
Works entitled "The World Soul of Plotinus," "The Omega Point," and
"Geochronmechane: The Time Machine from the Earth" appear to be
available through the Kent Gallery, but no price is listed:
Art in Context: "The World Soul of Plotinus"
http://www.artincontext.org/LISTINGS/IMAGES/FULL/D/I96PJH2D.htm
Art in Context: "The Omega Point"
http://www.artincontext.org/LISTINGS/IMAGES/FULL/X/F4UFHX6X.htm
Art in Context: "Geochronmechane: The Time Machine from the Earth"
http://www.artincontext.org/LISTINGS/IMAGES/FULL/2/MRY8OEK2.htm
Here you'll find contact info for two galleries that handle Laffoley's
work, including the Kent Gallery (mentioned above):
Art in Context
http://www.artincontext.org/artist/l/paul_laffoley/organizations.htm
Regarding books about Laffoley, this may be of interest:
"Laffoley's paintings, theories and writings are best documented by
the following publications:
Grand Street Paul Laffoley: Speculations in Mind-Physics/ Work in the
Visionary Genre p.200-209. Essay by John Yau. 8 color plates. Spring
1997
Raw Vision 'The Transcendent Epistemology of Paul Laffoley: Art from
the Boston Visionary Cell' by Mickey Cartin p. 50-55. Spring 1996
The Phenomenology of Revelation by Paul Laffoley, Edited by Jeanne
Marie Wasilik, published by Kent Gallery, New York. c. 1989"
Kent Gallery
http://www.kentgallery.com/lafpr99.htm
In addition to "The Phenomenology of Revelation," this book also
sounds interesting:
Amazon: "Architectonic Thought Forms: A Survey of the Art of Paul
Laffoley, 1968 - 1999"
http://www.amazon.com/exec/obidos/ASIN/0967095212/103-7617671-8207003
Regarding your question of whether any artwork is included in "The
Phenomenology of Revelation," I believe one can assume so, based upon
these short reviews of the book:
"Astral projection, time travel, and utopian construction... He's been
called the Leonardo DaVinci of the 21st century. Beautiful, intricate
drawings to get lost in."
Dirk Hine Digital Art & Design
http://hine-digital-art.com/weblog/books.html
"Not just an art book, it's philosophy, too! Lavish in Laffoley's
complex & evocative artwork, while edifying yourself with his
revolutionary take on our planet's impending evolutionary leap."
Roq La Rue Gallery of Strange Visions
http://www.roqlarue.com/coolstuff/coolbooks.html
Regarding best pricing, here is a used copy of "The Phenomenology of
Revelation" for $40:
ABE Books
http://dogbert.abebooks.com/servlet/BookDetailsPL?bi=200956946
And here's another used copy, for $49.95:
Alibris
http://www.alibris.com/search/detail.cfm?chunk=25&qwork=5097566&S=R&bid=8138575703
Search terms used:
"paul laffoley"
"boston visionary cell"
"gallery"
"art"
Thanks for a most unusual trip, Granny! The third eye in the middle of
my forehead is a bit bloodshot, but this has been truly interesting.
;-)
Best,
Pink |
Clarification of Answer by
pinkfreud-ga
on
26 Apr 2003 18:19 PDT
I had meant to include this. It's a link to an essay by Paul Laffoley,
about the classic SF film "The Day the Earth Stood Still." Fascinating
reading. An excerpt is below, but the entire essay is well worth
reading.
"In a sense, the movie was the first piece of collaborative
architecture ever done by Frank Lloyd Wright (1867-1959). He was
contacted in 1949 by Robert Wise to work on the set design because
Wise knew of Wright's interest in flying saucers from drawings in
progress using the flying saucer form. Both The Annunciation Greek
Orthodox Church (built 1956) and the Sports Club for Huntington
Hartford (unbuilt 1947) are examples.
Working with set designers for the movie, Thomas Little and Claude
Carpenter, Wright came up with the classic flying saucer profile: the
soliton wave or curve of normal distribution. The interior of the ship
was "lifted" right out of The Johnson Wax Company Administrative
Headquarters Wright had been working on since 1936. The horizontal
translucent plastic tubing motif was a perfect foil for the
Bauhaus-like control instruments."
Boston Visionary Cell
http://www.cybercom.net/~gsullivan/bvc/disco_volante.html
And here is a statement of the mission of Laffoley's "Boston Visionary
Cell," which isn't exactly the typical architectural firm:
Boston Visionary Cell
http://www.cybercom.net/~gsullivan/bvc/
~Pink
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