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Q: African westernisation ( Answered 5 out of 5 stars,   1 Comment )
Question  
Subject: African westernisation
Category: Relationships and Society > Cultures
Asked by: minxie-ga
List Price: $35.00
Posted: 08 May 2003 17:55 PDT
Expires: 07 Jun 2003 17:55 PDT
Question ID: 201393
what is the tension between the exspansion of western culture and the
traditional cultural values and norms of africa ? how do they differ?

Request for Question Clarification by tutuzdad-ga on 08 May 2003 18:34 PDT
The "traditional cultural values and norms of africa" vary to such a
degree as to make your question unanswerable. There are literally
hundreds, if not thousands, of different beliefs, practices, cultures,
etc, on the continent of Africa. Making such comparison would take
(and has taken) years to make.

I recommend you select a particular culture or a particular contry and
approach your question that way; posting additional questions for
other regions/cultures, if necessary.

Regards;
tutuzdad-ga

Request for Question Clarification by digsalot-ga on 09 May 2003 04:32 PDT
As my fellow researchers know the only claim to a question is a lock. 
However, A major storm is arriving and I must shut down.  It is not
that I don't have surge protection, it is just that the last time a
storm took out the 'puter, the lightning charge came in through the
phone jack.  Even if I keep writing, I'm offline.

If anyone wants to jump in, the lock will be off till the storm is
over and I will post what I have as a comment.

If nobody else jumps in, I will be back to finish.

Cheers
digsalot

Request for Question Clarification by digsalot-ga on 09 May 2003 05:46 PDT
Just plugging back in long enough to let you guys know it may take
quite some time for these storms to pass.  They are lined up clear
across the state, one behind the other.

It would be unfair to researchers and the customer both for anybody to
wait that long. If you have an answer you can provide, please do so.

digs
Answer  
Subject: Re: African westernisation
Answered By: digsalot-ga on 09 May 2003 14:10 PDT
Rated:5 out of 5 stars
 
Hello there

As the request for clarification stated by tutuzdad above, you have
asked a very specific question about a very non-specific subject. 
However, we may be able to tackle this by dealing with "Africa" rather
than by individual peoples, tribes or nationalities, though some of
that will be involved.

In order to give the topic any kind of justice, we will need to hit on
religious, technological and economic influences, and not necessarily
in that order.  "Western policy toward Africa began as a private
affair. In the nineteenth century, explorers, missionaries and traders
directed Europe's relations with the continent. Government
representatives stayed at home. While individuals and private
organizations saw a continent of great spiritual, material and
cartographic importance, their leaders held to the belief that,
politically, Africa was irrelevant." - quote from Peter Beinart, Out
of Africa - http://www.hartford-hwp.com/archives/30/008.html

From that beginning, most of what could be called modern tension
between western influence and traditional African culture could be
said to take place.  The article by Peter Beinart will answer much of
your question in that it fills in many of the details and gives some
additional background to what I will say below.  Rather than copying
and pasting the whole thing here (which we are not really allowed to
do) or trying to paraphrase everything (which is more allowable) such
paraphrasing would not fully transmit the meaning of the original.  So
to save a lot of time, copyright hassles and misinterpretation -
please insert http://www.hartford-hwp.com/archives/30/008.html here as
an integral part of this answer.

Let's begin by stating that the term "African" has no real meaning
except as a contrast to the "non-African" as implied by the very word
itself.  The African continent has the greatest variety of cultural
and religious systems in the world.  We can't define Africans by
reference to those categories.

So, how can we define African then?

What makes Africans Africans is not a tendency to heavily pigmented
skins and wooly hair (which does not apply to all people traditionally
living in Africa and does apply to many people living outside of
Africa such as the original inhabitants of South India, Melanesia, New
guinea and Australia).  It is the concept that they have shared the
experience of recent intercontinental political, military and economic
history.

When we ask such a question about African culture and western
influence on it, we are no longer primarily interested in the way
which Africans use the concepts of religion, technology and economics
to endow their world with meaning and order as if things African
constitute their entire world.  African culture can only be a
political category which seeks to define localisms in the face of
threats, promises (both kept and broken) and the inroads of global
processes.  When asking about western influences, we are not just
covering the last century or so.  Western influence on Africa has been
a constant factor since the days of the Roman Empire.  Some of what
today may seem traditionally African may have had its origin in
ancient central Italy.

In the last analysis, African culture is not a fixed collection that
can be labeled specifically "African" if that term is to denote
geographical provenance.  We are in sort of a "fuzzy" zone here.

Since I have to presume your question deals with postcolonial Africa,
a number of things become quite clear.  For a long time "culture" as a
term was hardly used in the scholarly discussion of African societies.
 However, certain people within those societies, or in contact with
those societies, have been only too keen to use the term.

As an anthropologist, I can only speak from that perspective.  And as
an anthropologist living in a western society, I can only speak from
that perspective as well.  We have reached the end of a very long
period in which cultural dynamics in Africa was considered mostly from
a Marxist-inspired political economic perspective such as the
production and reproduction of the manipulative conditions for the
exercise of power by the state, the state elite and international
capital.  It is only very recently in the study of contemporary Africa
that we have begun to speak publicly of culture and its dynamics as
events which in themselves invite additional research.  I have had
some experience with this as my first years doing research about Egypt
were during the Nasser administration when Marxist philosophies were
nearly as wide spread as those of the Koran.

A lot has been written on African culture over the last few years. 
But whether anthropologists have been writting about it, there has
been remarkably little theorizing on culture and the word has been
pretty much used as a non-technical blanket term.  At the time all
this has been going on, there are two groups of people who have been
quite wordy about African culture, sometimes obnoxiously so.

First of all are those development experts from the industrialized
part of the world who have latched onto "culture" and made it an
integral part of a new comversation, which while somewhat "less
technocratic" has turned into nothing less mystifying than what had
taken place earlier - - - And second, those people who are members of
the cultures which anthropologists study in Africa but who live in
rather elite positions in terms of education, political power and
money.  Whenever these people use the word "culture" in connection
with local societies, there is a strong reflection of tension and
discontinuity.

This is strongest between the state elite and the broader civil
society where the concept of culture is ideologically subservient to
the building of a national consensus under the elite's rulership - - -
or between an intellectual and consumer elite of the historic forms
unique to rural communities where this elite searches for its roots as
a solution for its identity crisis.

These two groups are not disconnected.  The elitist insistence on
"culture" mostly serves to support (within the national domain) a
dominent position regarding the flow of planning and intervention
which seeks to connect the industrial world with the non-elite groups
in African societies.

In addition, within those members of modern African elites, an ongoing
personal exposure to the global culture such as formal education,
world wide religions, mass consumption and mass media has reduced the
elite's ongoing relationship with the original village culture,
beliefs and traditions to carefully selected life categories.

When this elite claims to be searching for its roots, this reflects an
existential problem of alienation and symbolic erosion similar to what
has long been happening to industrial societies.  While on the search
for their own culture of origin, the national elites establish and
strengthen linkages between lower and middle classes, village and
city, and between peasant and those who are salaried.  This gives the
elite not only "symbolic" but more importantly, politico-ethnic and
economic gains.

The elite loudly express their own cultural continuity based on a less
privilaged population and celebrates their own social and economic
privilages and continues to expand them.

This very selective exhibit of cultural continuity vis-a-vis one's own
village, ethnic group, etc is combined with a display of symbols from
the industrialized world.  It is in this way which African leadership
and Africans in general articulate themselves in terms of power,
status and money.  This tension is a necessity though there are those
who would try to preserve every tiny part of what they perceive as
African "culture."  This tension is a necessity because it creates the
credibility in the arena of international cooperation on which some
African countries are dependent for most of their national income and
a considerable portion of that for the rest.

These leaders display themselves as the ethnic brokers between what
are largely "newly-invented" or newly-revived ethnic and cultural
groupings and the national political and economic centers. 
Traditional cultural leaders such as "chiefs" and ethnic religious
leaders can be shown to demonstrate a similar mediating function
within the national domain even though their political and economic
influence is often very limited.

Between what I have covered and another ongoing process since the 19th
century, the very way Africans look at themselves has had a
fundamental change.

This has to do with the very nomenclature we have introduced to
describe African culture.  Actually nomenclature is becoming an
anthropological study subject in its own right, something which has
only been recently recognized.  Until the middle of the twentieth
century anthropology used ethnic names as labels marking apparently
self-evident units of culture and social organization.  Research took
place within those labeled units and the fact that such a demarcation
itself was often a problem was not recognized.

Colonialism produced a nomenclatural fragmentation of cultures within
the colonized areas, with the implied assumption that each of the
units so identified displayed absolute boundedness and internal
integration, char­acter­istics which allegedly were inescapably
underpinned by centuries-old tradition.

It was only in the 1960s that the concept of ‘tribe’ was subjected to
growing criticism as an ethnocentric and arbitrary designation of an
ethnic group within the global ethnic community but outside the
politically dominant civilization - - - We invented "the third world,"
just as in the 19th century we invented "tribes."  there is now a lot
written about the concept of the rise and fall of "tribes" in Africa. 
The term was adopted by many Africans who never felt part of that
small an ethnic unit before and that acceptance has influenced the
political and economic process ever since.

The 19th century also saw the introduction of a capitalist mode of
production which by means of cash crops and newly migrant labor eroded
the local systems of production, reproduction and symbolism and
produced many regional inequalities.  We then introduced a new word
into the African nomenclature - "urbanization."  It is a process where
many ethnic groups act in urban relationships and through a process of
"selective transformation" referred back less and less to the
traditional cultures of their respective regions of origin.

During the times since, there have been numerous military and
one-party regimes which often presented themselves as the only
solution for ethnically based political problems thus increasing the
urbanization process and in some cases even attempting to wipe out
"undesirable" ethnic entities.  Now, with the rise of democracies,
which in spite of their emphasis on preservation of tradition and
constitutional universalism, offer yet even more opportunity for
population mobilization along with ethnic and cultural dilution.

Which brings us to the unanswerable part of your question.  Western
influence in Africa is not a "done deal."  It is an ongoing process
whereby making a firm statement about a particular situation now could
have changed completely by the time you have read this answer.

Yes Virginia, things often do happen rapidly in Africa - to paraphrase
an old article about whether or not there is a Santa Claus.  It just
seems to fit here.

If you have a specific culture or region you are interested in, please
let me know so I can concentrate on that.  As it is, I have given a
very general answer to a very general question.

I will end with a quote from the Peter Beinart article I asked you to
read earlier:

"...It is not even enough to send neutral observers to cool tempers
before a crisis erupts. The governments of the West must realize that
in Africa today, state breakdown and civil collapse are no longer
aberrations. They are a logical outgrowth of the political status quo.
Africa's choice is no longer between democracy and dictatorship. It is
between democracy and anarchy."

That is the legacy given to African culture by the west.

The above answer incorporates information from the following websites:

The Rise of Nationalism in West Africa 
http://www.marcusgarvey.com/ADAPTATIONSURVIVAL.htm - a webpage by
Marcus Garvey

Worlds of archaeology, anthropology and ancient civilizations
http://www.archaeolink.com - my own website - click on cultural
anthropology to find information about Africa.

Index African religion: Wim van Binsbergen's writings
http://www.shikanda.net/african_religion/index.htm - From Shikanda.net

David Loftus: Western Influence in the African Bush
http://www.david-loftus.com/Travel/africa2.html - website of David
Loftus

Peter Beinart, Out of Africa
http://www.hartford-hwp.com/archives/30/008.html

Africa Recovery/UN/13#1.African NGO
http://www.un.org/ecosocdev/geninfo/afrec/vol13no1/abantu.htm - United
Nations

African Perspective on line - All Africa Newsweekly Issue#51
http://www.africanperspective.com/ - you will find several related
stories on this page.

If I may clarify anything before you rate the answer, please let me
know.

Cheers
digsalot

Request for Answer Clarification by minxie-ga on 10 May 2003 09:48 PDT
whatis the tension between the exspansion of western culture or
globalization and the traditional values and norms of Nigeria? you
could use the village of Ogidi as an example if you neeed to narrow
the search.

Clarification of Answer by digsalot-ga on 10 May 2003 13:06 PDT
Thanks for the clarification.  You have given me a good weekend
project to jump on between storms.  We are getting hit again today.

I will try to cover both the country and the village for you.  Just
out of curiosity, do you need the answer in essay form, sort of along
the line of what I did above, or do you need research resources for
your own study?

I will continue to work in the essay format if I don't hear otherwise.

Cheers
digs

Request for Answer Clarification by minxie-ga on 11 May 2003 04:57 PDT
Thanks so much for your quick reply. Sources are important in this
project, so would you include them along with your narrative.   Thanks
again.

Clarification of Answer by digsalot-ga on 12 May 2003 11:16 PDT
Hello again

First of all, Nigeria is unique in that almost 1 in every 4 Africans
lives there.  It has one of the highest population densities in the
world.  There are times when it has been third on that list.

However, in spite of that large population figure, we can't look at
Nigeria as any kind of microcosm of Africa in general.  It isn't. 
Nigeria has its own ethnic and cultural identity.

Does it sound as though I'm going to begin using the nomenclature of
tribal and national division that I mentioned above as causing a
problem?  - - - Well - - - um ? - - - yes.

This is one of the areas where such division is justifiable in order
to keep the players straight, if for no other reason.

The major divisions of these groups are the Yoruba which live mostly
in the southwest, the Ibo in the southeast and the Hausa-Fulani in the
north.  The town Ogidi is in the Ibo region.

Since the pre-clarification request answer dealt mostly with the post
colonial period, so shall this.

I'll start with a little history so that we can tie in the overall
African situation in the first part of the answer to the specific
situation in Nigeria.  In some cases, Nigeria is a textbook example.

After it had shed its colonial bonds, the influence of its former
British overlords was still there. The political vacum caused by the
leaving of the white man was rapidly replaced by a government of
militant, totalitarian leaders equally as oppressive as the white
colonists. Just as their former masters, the elite, rich black leaders
look down upon the poor people they rule.

"You see, they are not in the least like ourselves. They don't need
and can't use the luxuries that you and I must have. They have the
animal capacity to endure the pain of, shall we say, domestication.
The very words the white master had said in his times about the black
race as a whole. Now we say them about the poor." - Quote from "The
Continuing Colonialism" -
http://www.postcolonialweb.org/achebe/contcol.html  You will find that
the paragraph above this is a paraphrase from one of his, "Jason M.
Smith."  The website is a brief but accurate view of the times.

Nigeria had taken step 1 on the path much of Africa had taken.  This
is important to know in that what happens in the town of Ogidi is not
isolated from the continental whole.  To look at it as such would be a
grave mistake.

In the 19th century people in the Ibo region were making wooden
statues of Queen Victoria.  What does that say about the effect of a
colonial power on the culture of the colonized?  And the effect on the
colonizer itself?

The Ibo image of Queen Victoria could be saying many things.  Was it a
method of revising a colonial ruler in terms that the indigenous
population can accept, much on the order that Asian, Black, and Latino
images of Jesus are created to relate the faith to that part of the
world or that ethnic group?  Or maybe it is a 'colonization of the
colonizer' since they present the queen as a traditional cultural
religious object?  A modern American version of that would be Native
Americans presenting an "Honorary Chiefdom" to some politician.  A
symbolic gesture acknowledging the 'right to rule' but that
acknowledgement made within the cultural traditions of a subject
people.

I made that little side trip about the Queen Victoria statue in order
to demonstrate how early the influence from the industrialized states,
Britain in this case, made its way into "traditional" culture and in
the process, actually "becoming" traditional culture.  I say this
because longevity is only one value by which "tradition" may be
measured.  Importance and symbolism can create new ethnic tradition,
within an already established parameter, in an instant.

Let's deal with some of those traditional cultures.

The name "Yoruba" describes a number of semi-independent peoples. 
These groups are loosely linked by geography, language, history, and
religion. The Yoruba living in southwest Nigeria and neighboring Benin
and Togo number over 15 million people.  There is archaeological
evidence the Yoruba may have lived in the same general area of Africa
since prehistoric times.  the slave trade to the Americas saw slaves
of Yoruba descent being resettled mostly in Cuba and Brazil.

There was a traditional Yoruba system of city-states which were
sub-divided into over 25 complex and centralized kingdoms. Of these,
Ile-Ife is the one recognized as the most senior and most religiously
important Yoruba city. The founding of Ife is believed to date to
about 850 AD. The rival Oyo kingdom just to the northwest of Ife, was
founded about 1350 AD.  So as you can see, we are dealing with ancient
societies here.

And in spite of many westerners who believed (and still believe) that
Africans were no more than simple jungle dwellers, for centuries, the
pre-colonial Yoruba lived in large, densely populated cities where
they are able to practice the specialized trades that provide goods
and services for the society as a whole. Most would commute to the
countryside for part of the year to raise staples such as yams and
cassava on family farms. Each city-state maintained its own
interpretation of history, religious traditions, and unique art style,
yet all acknowledge the ritual sovereignty of Ife, honor the pantheon
of Yoruba gods.

We will go into more detail for the Ibo since they are dominant in the
town of Ogidi.

I am also going to try and use a long block of quoted text.  The
reason being, the material covered is a straight statement of fact
rather than opinion or original theory.  It is just my personal
opinion that re-writes and paraphrasings of 'fact' all too often
result in a message being given that is different than the original in
spite of any effort to remain true to the original meaning.

"Details of traditional Igbo government and social structure varied
from place to place throughout the nineteenth and early twentieth
centuries, but its characteristic nature remained the same. The basic
unit of Igbo life was the village group, and the most universal
institution was the role of the family head. This was usually the
oldest man of the oldest surviving generation. His role primarily
involved settling family disputes, and because he controlled the
channel of communication with the all-important ancestors, he
commanded great respect and reverence. In some areas the government of
chiefs and elders was composed of a governing age grade, in others the
council of elders was made up of the oldest members of particular
families.

"Titles that the men earned played a major part in the Ibo society.
There was a hierarchy of ascending titles that were to be taken in
order, accompanied by an ascending scale of payments. The system acted
as a simple form of social security, in that those who acquired titles
paid a particular fee, and then were entitled to share in the payments
of those who later acquired titles. Men who were going to acquire a
title had to go through intense rituals. This symbolized respect as
well as success.

"A political institution that was widespread around the Ibo tribe was
that of the age-grade. Every age-grade was responsible for specific
areas of community service. This often promoted rivalry between the
groups of age-grade. This was actually a valuable instrument of social
control, in that in order to preserve the good name of their
age-group, its members became involved in disciplining and restraining
those who tended to cause trouble within the community. Secret
societies around the Ibo villages were also an instrument of social
control. The members of the secret society would appear at night,
masked, in the disguise of supernatural beings. Any offenders in the
community would be denounced. The unknown origin of the members and
their supernatural aura (distinctive atmosphere) meant that this whole
performance was taken with great seriousness.

"Government (in this paragraph and the next one)

"Usually, the kinds of decisions that had to be made in traditional
Igbo societies were either judicial or connected with relations with
other groups. In a judicial case, it was the responsibility of the
lineage head to try to settle the matter before bringing it to the
elders, who would hear the case in public. A decision that affected
the whole town, such as the declaration of war, would generally be put
to all the free adult males of the town. The nature of these
institutions was extremely flexible - for example, a man who had
proven his skills at war in the past might be selected to lead the
people through this time of crisis, yet would be expected to
relinquish this leadership once the time of crisis was past. If the
facts of a case were unclear, then in some instances the Igbo would
turn to an oracle or to divination. Igboland possessed a regional
network of oracles, such as the Agbala of Awku, or the Ibibi Ukpabe at
Arochukwu. These oracles claimed to ascertain the truth of every
matter, and were dependent on visitors from every part of Igboland.
They rested on deliberate deception and were extremely expensive, far
beyond the reach of the poor. However, their good reputation did
depend on the fairness of their judgements, which kept their tendency
for exploitation in check.

"Perhaps it was the small scale of their political institutions that
made Igboland such a good example of what a democracy should be. Some
of the first European visitors to this region were struck by the
extent to which democracy was truly practiced. A combination of
popular participation and real respect for those with ability and
experience, led to the smooth running of political institutions.

"On a smaller scale, Igbo families generally lived in compounds, each
a small segment of the village group. The head of the compound was
usually the oldest male and within each compound were clusters of huts
belonging to different domestic groups. The head of each domestic
group is responsible for its members. In Igbo society, seniority by
age regulated social placement. Married life was the normal condition
for adults, and polygamy for the men was the ideal - in fact it acted
as an important indication of status. Wives were ranked according to
the order in which they married the common husband. Another important
feature of Igbo kinship apart from the precedence given to the male,
is the idea of seniority by birth. The first male and female children
of the domestic group, irrespective of the ranking of their mothers,
were given special status, and occupied very important and responsible
social positions in the family.

"One of the most important distinctions the Igbo make in their status
system is that between Diala and non-Diala. The Diala is a freeborn, a
full citizen, whose status at birth is symbolized by the burial of his
umbilical cord, preferably at the foot of an oil palm tree. A Diala is
free to attempt to gain a title, the only barrier to social climbing
being the membership fees that these institutions demand. In contrast,
the Ohu was a slave who had very few rights. However, these slaves
were more often as not absorbed into the lineage of the master they
served, becoming their companions and often marrying their daughters.
An Osu was a cult-slave; they were a people hated and despised , and
to refer to a Diala or an Ohu as an Osu was the gravest of insults.
The Osu system of slavery originated from the Owerri-Okigwi region.
The Diala belief is that the Osu are descended from a people who, at
the recommendation of a diviner, were dedicated to a deity, in order
that they may become his servitor. A particular village, lineage or
individual that had been experiencing illness or misfortune would
“dedicate” this slave to the deity, in the belief that the slave would
then carry out the sins of the dedicator. The Osu were feared and
hated because they reminded the Diala of their guilt. Unlike slaves,
they could not be absorbed into their master’s lineage; on the other
hand, they were protected by their deity from being sold or killed.
The cult-slave status of the Osu was legally abolished by the Eastern
Nigerian Government in 1956." - The above paragraphs quoted from "Ibo
Tribe" by Khoi Ta  - http://members.tripod.com/ih8_tuxedos/index1.html
- You will also find a lot of other information about the Ibo in those
pages.

So, it is within this traditional framework that we now focus on the
town of Ogidi itself, or as close to it as we can.

In order to do this justice, and to give you as complete an answer as
I can, you will find that I'm sending you to some other pages for
reading.  Most of these pages have important and sometimes quite
poignent essays about Ibo and Ogidi life which would be impossible to
reproduce here in their entirety and you already know how I feel about
paraphrasing.  All deal with the westernization of Nigeria, the Ibo
and Ogidi and all are integral parts of this answer and some of them
are quite long.

The first of these is - "Tomorrow is Pregnant - Today is Early Enough"
by Chinua Achebe and the Catholic Archdiocese of Owerri. 
http://www.columbia.edu/~fp7/igbo/achebe/index.html - You should find
this to be a wonderous explanation of Christian influence on Ibo
culture and how the Ibo culture influenced the church in return.  You
will also find that your initial question about cultural "tensions,"
will be addressed somewhat, but mostly as religious tensions which are
only one aspect of the whole.  You will find examples of liturgics,
and a great deal of information about the Ibo language and what early
western contact did to that language.  The British had the "gumption"
(I'm being polite here) to tell the Ibo that they weren't pronouncing
their own (Ibo) language properly. - - - - "As I struggled toward 
accurately translating his speech into English, my impression was that
he was so stung, and I believe rightly so, by the impertinence of
Western missionaries in telling native speakers how they should
speak--all the while scorning them as childish and inferior beings..."
From the Translator's introduction to the website. -
http://www.columbia.edu/~fp7/igbo/achebe/transintro.html

You will also find that Chinua Achebe is the main source for
information about Ogidi currently available for scholar and student
alike.  So as we narrow things down, I will need you to acquaint
yourself with the Achebe novel "Things Fall Apart." - - "Its most
striking feature is to create a complex and sympathetic portrait of a
traditional village culture in Africa. Achebe is trying not only to
inform the outside world about Ibo cultural traditions, but to remind
his own people of their past and to assert that it had contained much
of value. All too many Africans in his time were ready to accept the
European judgment that Africa had no history or culture worth
considering."

"Achebe went on to write two sequels to Things Fall Apart featuring
descendants of Okonkwo. In The Arrow of God (1964) he further explores
the failure of the British to understand traditional beliefs and
values, and in No Longer at Ease (1967) he shows how postcolonial
Nigeria became corrupted by a government which was not the organic
creation of its people, but an alien structure imposed upon them." 
The two quotes above are from Chinua Achebe: Things Fall Apart Study
Guide.

Yes, his work is that important.  You will find anthropology courses
based on his books, study guides and ennumerable spin off essays.

Trying to distill such a work into an answer such as this would be
doing both you and the subject involved a great disservice. 
Especially since in his books, Achebe has distilled things just about
as much as they already can be.  You will find a full study guide and
a chapter by chapter breakdown here:
http://www.wsu.edu:8000/~brians/anglophone/achebe.html

I'm sure this is not the direction you expected the answer to take,
but when you narrowed the focus in the clarification, it took it from
an arena where a great deal of information may be found into an arena
of specialization where the information available is also rather
specialized, and in this case, found primarily in a series of novels. 
So the best answer I can provide in all fairness and without us taking
great flights of inventive fancy, is to point you to the books.

More about Achebe

http://www.cocc.edu/cagatucci/classes/hum211/achebe.htm - Humanities
211 - Central Oregon Community College

EducETH: Achebe, Chinua -
http://www.educeth.ch/english/readinglist/achebec/ - EDUceth.com

Chinua Achebe: Things Fall Apart -
http://www.addison.lib.il.us/6achebe.asp - A brief bio and review from
Addison Public Library

An additional resource which may provide you with first hand
information from those who have lived it.

Umunne Cultural Association - http://www.umunne.org/ - "Umunne
Cultural Association is an organization of Igbo-speaking people of
Nigeria living in the great state of Minnesota, in the United States
of America.  Umunne is Igbo for brothers and sisters..."   You can
contact them through their website.

I hope this is of help.

Cheers
digs
minxie-ga rated this answer:5 out of 5 stars and gave an additional tip of: $20.00
provided excellent resources as well as narative in his anwer. He also
followed threw on clarification. Thanks to digsalot-ga.

Comments  
Subject: Re: African westernisation
From: politicalguru-ga on 12 May 2003 03:01 PDT
 
Dear minxie, 

The question is the clarification is not your original question. It
should be asked separately (in a new question). You got an answer for
your original question - and in my opinion as a African Studies
graduate, a very good one.

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