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Subject:
lost films
Category: Arts and Entertainment Asked by: giulio-ga List Price: $15.00 |
Posted:
11 May 2003 21:35 PDT
Expires: 10 Jun 2003 21:35 PDT Question ID: 202562 |
why aren't the musical films--"Porgy and Bess" and "Call Me Madame"--available on video or tv? |
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There is no answer at this time. |
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Subject:
Re: lost films
From: magnesium-ga on 18 May 2003 18:56 PDT |
Brilliant work, bobbie7-ga! |
Subject:
Re: lost films
From: bobbie7-ga on 18 May 2003 19:02 PDT |
Thanks Magnesium! |
Subject:
Re: lost films
From: bobbie7-ga on 05 Jun 2003 13:24 PDT |
For other researchers: Here is the original answer that I asked the editors to remove: ============== Hello Giulio, Thank you for your question. Porgy and Bess ============== The movie Porgy and Bess is not available on video or TV because the Gershwin family disapproved of the movie for the following reasons: The Gershwin family strongly disapproved of this version; they felt that producer Samuel Goldwyn had glamorized and "Hollywoodized" it too much, and that he had made a mistake in firing the film's original director, Rouben Mamoulian (director of the original stage version in 1935). They withdrew all copies of this film after its theatrical release and first television showings in the mid 1960's. The only place it can be seen now (early 1999) is the Library of Congress. The Gershwin family was dissatisfied with the film, largely because it was not staged as a true opera with all the recitative performed musically, and also because the two leads had their singing voices dubbed. Director Otto Preminger wanted to film on location, but producer Samuel Goldwyn refused and insisted on using soundstages. The film is currently (Nov. 2002) withheld from release because of action by both the Gershwin and Goldwyn estates, as neither Samuel Goldwyn nor the Gershwin family were satisfied with the film. Source: Internet Movie Database http://us.imdb.com/Trivia?0053182 ============= Call Me Madam ============= According to an article by John Derbyshire published on April 30th, 2002 at the National Review Online, Call Me Madam is not available on video or TV because the Irving Berlin estate refuses to authorize reproduction. Ethel Mermans performance in Call Me Madam cannot legally be purchased on video or DVD because the Irving Berlin estate, whose executors should be hanged, drawn and quartered in public, refuses to authorize reproduction. Source: National Review Online http://www.nationalreview.com/derbyshire/derbyshire043002.asp Rumor has it that Irving Berlin hated the movie so much that he would not allow it to be released on tape or shown on TV, and even went so far as to stipulate that in his will. (..) In articles I read mention was made of Berlin's dissatisfaction of Hollywood in general (after the cancellation of his SAY IT WITH MUSIC project). The Berlin estate has been obtrusive regarding the release of Berlin's movies on video. Source: Google Newsgroups http://groups.google.com/groups?q=Irving+Berlin+Call+me+madam++not+released+in+video&hl=en&lr=&ie=UTF-8&oe=UTF-8&selm=9512071639.AA07030%40mail.wincom.net&rnum=1 The Berlin estate is holding up "Call Me Madam," just as they did "Annie Get Your Gun" until recently. Source: Google Newsgroups http://groups.google.com/groups?q=%22+Call+me+madam+%22+video&hl=en&lr=&ie=UTF-8&oe=UTF-8&selm=17673-3CEAE489-20%40storefull-2111.public.lawson.webtv.net&rnum=4 From the DVDLaser Website: As for Call Me Madam, it would technically be a Fox title but the rights are held by the Irving Berlin estate, which isnt budging at the moment, despite the desires of just under 2%. The DVDLaser Website http://www.dvdlaser.com/thetopten01list.htm Legal wrangling over rights by the Berlin estate is what kept it off the market until now. Call Me Madam' with Merman is missing for the same reasons. http://www.epinions.com/content_26412748420/show_~allcom Search Criteria: "Call me Madam Berlin estate Porgy and Bess Gershwin Internet Movie Database Google Newsgroups I hope the above information helps you in your research. If anything is unclear, or if a link does not function, please request clarification; I'll be glad to offer further assistance before you rate my answer and close the question. Best Regards, Bobbie7-ga -------------------------------------------------------------------------------- Request for Answer Clarification by giulio-ga on 05 Jun 2003 10:55 PDT This is only the beginning of the answer. We all know that the Berlin estate owns the rights, just as they did with "Annie Get Your Gun." But they released "Annie" (despite its offensiveness to Native Americans) and are still sitting on "Madam." Why? What are their objections? Are the "rumors" just that or are they factual? |
Subject:
Re: lost films
From: kriswrite-ga on 06 Jun 2003 09:33 PDT |
<<But they released "Annie" (despite its offensiveness to Native Americans)>>> I don't think a concern with this supposed "offensiveness" can be assumed to trouble the Berlin estate. After all, the musical "Annie Get Your Gun" is completely available for amateur production on stage (as is the non-musical version, based heavily on the musical's script). In addition, it's recently enjoyed a successful revival on Broadway. I think bobbie7's answer is right on: For whatever reason, the families are either honoring the original composer's dislike of movie renditions, or hold their own "grudge" against the movie rendiditions--and therefore don't want them released. kriswrite |
Subject:
Re: lost films and kriswrite
From: giulio-ga on 06 Jun 2003 10:31 PDT |
The question is not what you "think" but what you "know." Suggesting that the Berlin estate nurtures an irrational "grudge" rather than a sense of political correctness is to substitue one's personal opinion for a rumor, neither of which has much validity. In point of fact, the rumor that the political incorrectness of "Annie" kept the film from going to video is the oldest of the rumors. One hopes that the Berlin estate will someday state its reasons. That "Annie" is available to community theaters etc. only makes the theatres who might mount a production liable for whatever flack might accrue; the Estate is off the hook. And, in point of fact, the recent Broadway revival toned down the play's political incorrectness. Like it or not--and I don't--political correctness is likely to be with us for awhile yet. As to Berlin's not liking movie "renditions," how does that jibe with Berlin's active participation in "Blue Skies," "Holiday Inn," "White Christmas," "There's No Business Like Show Business," etc.? No, I'm afraid that "grudge" doesn't explain it. Perhaps Berlin objected to Betty Hutton's usual over-the-top performance or an inadequate presentation of some song or other. After all, one might assume that Berlin and Berlin estate were capable of aesthetic judgments, no? If anyone knows how to reach the Berling estate, I'd be happy to broach the issue with them. |
Subject:
Re: lost films
From: kriswrite-ga on 06 Jun 2003 11:23 PDT |
I think you misunderstood me, so let me rephrase a few things. First, when I wrote of movie "renditions," I was referring to the films in question--not all films regarding these composers. And just (as you say) the theatre company takes whatever "flack" is dished out regarding "Annie Get Your Gun" (in my experience in pro and amateur theatre, there is little or no flack to be taken), the filmmakers and the distribution company would take the flack over the film version, not the estate. In addition, this doesn't explain why the CDs are available. (And in the case of "Annie Get Your Gun," the offending song--"I'm An Indian, Too"--is included.) If the estates were worried about offending people, I'm sure the CDs and scores would be unavailable, too. My point was simply: This is more than likely the best answer you're going to get, unless you approach the estates yourself. (They aren't likely to answer "on the record.") Respectfully, Kriswrite |
Subject:
Re: lost films and kriswrite
From: giulio-ga on 06 Jun 2003 11:23 PDT |
The question is not what you "think" but what you "know." Suggesting that the Berlin estate nurtures an irrational "grudge" rather than a sense of political correctness is to substitue one's personal opinion for a rumor, neither of which has much validity. In point of fact, the rumor that the political incorrectness of "Annie" kept the film from going to video is the oldest of the rumors. One hopes that the Berlin estate will someday state its reasons. That "Annie" is available to community theaters etc. leaves the theatres who mount a production liable for whatever flack might accrue; the Estate is off the hook. And, in point of fact, the recent Broadway revival toned down the play's political incorrectness. Like it or not--and I don't--political correctness will probably be with us for awhile yet. As to Berlin's not liking movie "renditions," how does that jibe with Berlin's active participation in "Blue Skies," "Holiday Inn," "White Christmas," "There's No Business Like Show Business," etc.? No, I'm afraid that "grudge" doesn't explain it. Perhaps Berlin objected to Betty Hutton's usual over-the-top performance or to the inadequate presentation of some song or other. After all, one might assume that Berlin and the Berlin estate were capable of aesthetic judgments, no? If anyone knows how to reach the Berlin estate, I'd be happy to broach the issue with them. |
Subject:
Re: lost films and kriswrite
From: giulio-ga on 06 Jun 2003 11:34 PDT |
Points well taken. You might be interested in knowing that both Native Americans in this area and well-meaning arbiters of political correctness objected to a community theatre production of a new musical by Dale Wasserman because of its supposed political incorrectness. There were issues of costuming, implied ideas, and even the use of the word "half-breed"--all this despite the fact that the musical was set in the 19th Century and the costume for the Chief copied from an actual photograph! Of course, this area is very close to a reservation. All--or none--of which has nothing to do with "Annie." When the tape of "Annie" was officially issued on video, I personally found it unwatchable--hammy and raucous. On the other hand, "Call Me Madam" still seems charming and the implied commentary on foreign aid more relevant than ever. |
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