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Q: MIDI Experiment ( Answered 5 out of 5 stars,   0 Comments )
Question  
Subject: MIDI Experiment
Category: Computers
Asked by: barnaclau-ga
List Price: $50.00
Posted: 15 Nov 2003 13:56 PST
Expires: 15 Dec 2003 13:56 PST
Question ID: 276241
I need help with a MIDI Experiment,

The experiment consists of some questions about what happens when some
specific things are done. It Requires that you know something about
MIDI, and that you have a keyboard connected to your PC.

This experiment is to be written as a report of approximately three
pages and the questions are straightforward and require no
investigation.

I am not able to do it myself, as I don't have a Keyboard connected to the PC.

This experiment uses the program ?Midi-Ox? to view MIDI messages.
Midi-Ox is copyrighted freeware, and can be freely used by individuals
in non-commercial environments. It runs under Windows 95 or later, and
is available at www.midiox.com. (It is a small download).

The deadline is for Monday Morning.

If you are interested in helping me out, please contact me for the
Experiment outline.

Thank you,
Claudia

Request for Question Clarification by sublime1-ga on 15 Nov 2003 14:26 PST
Claudia...

This question appears to be a duplicate of Question 276239,
but listed in a different category. Researchers will see
the question no matter what category it is listed under,
and unless you want to risk the possibility that it will
be answered twice, I'd suggest you cancel one of them.

You also state:
"If you are interested in helping me out, please contact me
 for the Experiment outline."

Researchers have no way of contacting you other than via
what is posted here in the forum. Personal contact is 
prohibited by the Terms of Service. So if you want someone
to assist you with this, simply post a clarification outlining
the parameters of the experiment.

A user's guide on this topic is on skermit-ga's site, here:  
http://www.christopherwu.net/google_answers/answer_guide.html#how_clarify

I do have a keyboard connected to my computer, but until
I see an outline of the experiment, I can't say whether
it is something I will have time to accomplish by Monday.

sublime1-ga

Clarification of Question by barnaclau-ga on 15 Nov 2003 15:02 PST
Midi Implementation Experiment 1
Viewing MIDI messages

In this experiment we will use the program ?Midi-Ox? to view MIDI
messages. Midi-Ox is copyrighted freeware, and can be freely used by
individuals in non-commercial environments. It runs under Windows 95
or later, and is available at www.midiox.com.

Different MIDI devices operate in different ways. Your report should
mention which device and which PC was used. You can do this experiment
using any MIDI controller you wish. (Not all aspects described below
apply to every controller ? for example, drum controllers will not
have a pitch bend wheel.)

This experiment is to be written as a report of approximately three pages.

1.	Start up Midi-Ox. Pick ?Input Monitor? from the View menu.

2.	Play some notes, and you should see messages displayed on the
screen. If you don?t, then check the MIDI connections and the power to
the keyboard. Also, select Options/MIDI Devices and ensure the Midi-Ox
input is coming from the MIDI IN and the output is going where you
want it (i.e. a synth or soundcard).

3.	You may also see regular Active Sensing messages. What byte do
these correspond to? How often are they produced? Note that these
messages aren?t produced when you create other data. If you still
don?t see them, then either your keyboard isn?t producing them or the
MIDI Filter in the program is activated. (The MIDI filter can turn off
the display of certain messages.)

4.	Play some notes on the keyboard, paying attention to the STATUS,
DATA1 and DATA2 columns. You should see something like this:

TIMESTAMP      PORT      STATUS      DATA1      DATA2      CHAN     
NOTE      EVENT
  123456            1              90              3D            77   
         1          C#4      Note On

The bold values are the status byte and two data bytes for a Note On
command. What are the lowest and highest note numbers produced (using
the octave shift buttons if there are any)?

5.	You can toggle the display between decimal and hexadecimal using
Options/Data Display. Play very strongly. What is the maximum
velocity? Play very softly. What is the minimum velocity?

6.	Determine whether your MIDI keyboard generates old-style or new-style Note Offs.

7.	Change to decimal display. Move the pitch bend wheel. Two seven-bit
?bytes? are sent, and displayed:

TIMESTAMP      PORT      STATUS      DATA1      DATA2  	?
  123888            1              224             24             70   	?

Here 24 is the lowest 7 bits and 70 is the highest 7 bits, so the
value being sent is 70*128+24 = 8984. What are the minimum, central
and maximum values?

8.	Work out the resolution of the pitch bend wheel by examining the
spacing between the output values when you move the wheel slowly. If,
as frequently, the pitch bend wheel is set to ± 2 semitones, how big
are the pitch steps?

9.	Examine the outputs when the modulation wheel is moved. Note which
messages are generated by any other wheels, sliders, buttons and foot
pedals on the keyboard. Does it generate aftertouch? Which type(s)?
(The data entry slider on the Roland keyboard in 257 can be set to one
of several controls by pressing MIDI SELECT/note/MIDI SELECT.)

10.	You should never flick any electrical gear on and off rapidly.
However, MIDI provides some protection (how?) from ill effects. If any
documents are open outside Midi-Ox, save them (just in case of a
crash). Hold a key down, slowly switch the keyboard off and note any
messages that appear. Does the note end? Release the key, wait a
moment, then switch the keyboard on and note any messages. What
messages are generated when you switch off or on? Can they be
explained? (Sometimes they can?t!).
Answer  
Subject: Re: MIDI Experiment
Answered By: sublime1-ga on 15 Nov 2003 21:25 PST
Rated:5 out of 5 stars
 
Claudia...

I followed the instructions for the experiment, and formatted
my answer so that the sections which required a response are
followed by the requested information. You may wish to format
the report differently depending on its intended audience and
use.
_____________________________________________________________

Your report should mention which device and which PC was used.
-------------------------------------------------------------------
I used a Kurzweil K2500XS, in conjunction with a homebuilt computer
with an AMD MP2000 CPU, 1666MHZ.

Here's an image of the K2500X, for reference:
http://www.kurzweilmusicsystems.com/html/k2500.html

The XS just has an added sampling module, with more inputs on
the back of the unit, but the front panel is that same. 
-------------------------------------------------------------------
 
3. You may also see regular Active Sensing messages. What byte do
these correspond to? How often are they produced? Note that these
messages aren?t produced when you create other data. If you still
don?t see them, then either your keyboard isn?t producing them or
the MIDI Filter in the program is activated. (The MIDI filter can
turn off the display of certain messages.)
-------------------------------------------------------------------
I don't see any of these, even with all the MIDI filters off, nor
did I learn anything from the MIDI-OX helpfile when searching for
Active Sensing. I did a search on Google and came up with this page,
from PlanetOfTunes.com which explains it quite well:
http://www.planetoftunes.com/sequence/activesense.html

Apparently the Kurzweil doesn't send these messages.
-------------------------------------------------------------------
 
4. Play some notes on the keyboard, paying attention to the STATUS,
DATA1 and DATA2 columns. You should see something like this:
 
TIMESTAMP PORT STATUS DATA1 DATA2 CHAN NOTE EVENT
123456    1    90     3D    77    1    C#4  Note On
 
The bold values are the status byte and two data bytes for a Note
On command. What are the lowest and highest note numbers produced
(using the octave shift buttons if there are any)?
-------------------------------------------------------------------
C -1 is the lowest note that actually produces a sound, though even
this occurs only in a few patches, and G 9 is the highest note, 
again, for the patches that stretch that high. Beyond this range,
MIDI-OX reports '---' for the note, and 'Channel Aft' for the event.
-------------------------------------------------------------------

5. You can toggle the display between decimal and hexadecimal using
Options/Data Display. Play very strongly. What is the maximum
velocity? Play very softly. What is the minimum velocity?
-------------------------------------------------------------------
Though it's not marked as 'velocity', the number under DATA2 gets
larger with how hard the notes are struck, ranging from 1 to 119,
from softest to hardest, with the display reading in the decimal 
mode.
-------------------------------------------------------------------

6. Determine whether your MIDI keyboard generates old-style or 
new-style Note Offs. 
-------------------------------------------------------------------
Where are 'old-style' and 'new-style' defined? A search on Google 
was not helpful. Where would one look to determine this? The note
off messages simply say 'Note Off', whether in decimal or 
hexadecimal display mode. This has me stumped.
-------------------------------------------------------------------

7. Change to decimal display. Move the pitch bend wheel. Two 
seven-bit "bytes" are sent, and displayed:
 
TIMESTAMP PORT STATUS DATA1 DATA2   ? 
  123888  1    224    24    70    ? 
 
Here 24 is the lowest 7 bits and 70 is the highest 7 bits,
so the value being sent is 70*128+24 = 8984. What are the
minimum, central and maximum values?
-------------------------------------------------------------------
Assuming 128 is a constant, and not a number derived from 
missing data implied by the '...' symbols in the table cited
in the question,
the minimum value being sent is 0*128+0 = 0
the midrange value being sent is 64*128+0 = 8192
the maximum value being sent is 127*128+127 = 16383
-------------------------------------------------------------------

8. Work out the resolution of the pitch bend wheel by examining the
spacing between the output values when you move the wheel slowly.
If, as frequently, the pitch bend wheel is set to ± 2 semitones, how 
big are the pitch steps?
-------------------------------------------------------------------
The DATA2 figure increases or decreases by one integer at a time,
from 64...65...66 etc, and it does increase by 2 semitones and also
decrease by 2 semitones. Since the maximum value of 127 minus
the midrange value of 64 = 63, the steps would seem to be 2/63rds
of a semitone. Then again, the range from 0 to 64 has 64 steps,
so it would be 2/64ths of a semitone, or 1/32nd of a note.
-------------------------------------------------------------------

9. Examine the outputs when the modulation wheel is moved. Note which
messages are generated by any other wheels, sliders, buttons and foot
pedals on the keyboard. Does it generate aftertouch? Which type(s)?
(The data entry slider on the Roland keyboard in 257 can be set to one
of several controls by pressing MIDI SELECT/note/MIDI SELECT.)
-------------------------------------------------------------------
The modulation wheel generates a 'CC: Modulation' Event, with DATA2
reflecting the degree of change, in this case, tremolo, from 0-127.

The main ribbon on the Kurzweil produces Event changes alternating
between 'Control Change' and 'CC: 21 (E-MU)'.

The smaller ribbon near the mod wheel produces an occasional 
'Control Change' Event, with the more common 'Channel Aft' 
Event. Perhaps 'Aft' is for Aftertouch?

The sustain pedal produces 'CC: Pedal (Sustain)' under Event.

A program change produces, first, a 'CC: Bank LSB' Event,
and then a 'PC: Program name (e.g., Piccolo)' Event.

Those are the only controllers I can find to change, other than
the ones we already tried.
-------------------------------------------------------------------

10. You should never flick any electrical gear on and off rapidly.
However, MIDI provides some protection (how?) from ill effects. If
any documents are open outside Midi-Ox, save them (just in case of
a crash). Hold a key down, slowly switch the keyboard off and note
any messages that appear. Does the note end? Release the key, wait
a moment, then switch the keyboard on and note any messages. What
messages are generated when you switch off or on? Can they be
explained? (Sometimes they can?t!).
-------------------------------------------------------------------

 TIMESTAMP IN PORT STATUS DATA1 DATA2 CHAN NOTE EVENT               
   7619685  1  --    144    60    61    1  C  4 Note On               

The above was the only entry prior to turning off the unit.
All of the following occured upon turning the power back on.

   7630180  1  --    176    32     7    1  ---  CC: Bank LSB          
   7630181  1  --    192    74   ---    1  ---  PC: Recorder          
   7630182  1  --    176    99     1    1  ---  CC: NRPN MSB          
   7630183  1  --    176    98     1    1  ---  CC: NRPN LSB          
   7630184  1  --    176     6    12    1  ---  CC: Data Entry MSB    
   7630184  1  --    176    38     0    1  ---  CC: Data Entry LSB    
   7630185  1  --    176    99   127    1  ---  CC: NRPN MSB          
   7630186  1  --    176    99     1    1  ---  CC: NRPN MSB          
   7630187  1  --    176    98     2    1  ---  CC: NRPN LSB          
   7630188  1  --    176     6    12    1  ---  CC: Data Entry MSB    
   7630189  1  --    176    38     0    1  ---  CC: Data Entry LSB    
   7630190  1  --    176    99   127    1  ---  CC: NRPN MSB          
   7630191  1  --    176    99     1    1  ---  CC: NRPN MSB          
   7630192  1  --    176    98     4    1  ---  CC: NRPN LSB          
   7630193  1  --    176     6     2    1  ---  CC: Data Entry MSB    
   7630194  1  --    176    38     0    1  ---  CC: Data Entry LSB    
   7630195  1  --    176    99   127    1  ---  CC: NRPN MSB          
   7630247  1  --    208     0   ---    1  ---  Channel Aft           
   7630248  1  --    224     0    64    1  ---  Pitch Bend            
   7630249  1  --    176     1     0    1  ---  CC: Modulation        
   7630255  1  --    208     0   ---    1  ---  Channel Aft           
   7630259  1  --    176    21    64    1  ---  CC: 21 (E-MU)         
   7630260  1  --    176    53     0    1  ---  Control Change        
   7630261  1  --    176    15    64    1  ---  Control Change        
   7630262  1  --    176    21    64    1  ---  CC: 21 (E-MU)         
   7630263  1  --    176    53     0    1  ---  Control Change        
   7630272  1  --    176     1     0    1  ---  CC: Modulation        
   7631739  1  --    176   121     0    1  ---  CC: Reset Cntrl       
   7631745  1  --    177   121     0    2  ---  CC: Reset Cntrl       
   7631746  1  --    178   121     0    3  ---  CC: Reset Cntrl       
   7631747  1  --    179   121     0    4  ---  CC: Reset Cntrl       
   7631750  1  --    180   121     0    5  ---  CC: Reset Cntrl       
   7631751  1  --    181   121     0    6  ---  CC: Reset Cntrl       
   7631752  1  --    182   121     0    7  ---  CC: Reset Cntrl       
   7631754  1  --    183   121     0    8  ---  CC: Reset Cntrl       
   7631755  1  --    184   121     0    9  ---  CC: Reset Cntrl       
   7631757  1  --    185   121     0   10  ---  CC: Reset Cntrl       
   7631763  1  --    186   121     0   11  ---  CC: Reset Cntrl       
   7631764  1  --    187   121     0   12  ---  CC: Reset Cntrl       
   7631765  1  --    188   121     0   13  ---  CC: Reset Cntrl       
   7631767  1  --    189   121     0   14  ---  CC: Reset Cntrl       
   7631768  1  --    190   121     0   15  ---  CC: Reset Cntrl       
   7631769  1  --    191   121     0   16  ---  CC: Reset Cntrl       
   7631773  1  --    176   123     0    1  ---  CC: All Notes Off     
   7631774  1  --    177   123     0    2  ---  CC: All Notes Off     
   7631775  1  --    178   123     0    3  ---  CC: All Notes Off     
   7631776  1  --    179   123     0    4  ---  CC: All Notes Off     
   7631777  1  --    180   123     0    5  ---  CC: All Notes Off     
   7631778  1  --    181   123     0    6  ---  CC: All Notes Off     
   7631778  1  --    182   123     0    7  ---  CC: All Notes Off     
   7631779  1  --    183   123     0    8  ---  CC: All Notes Off     
   7631780  1  --    184   123     0    9  ---  CC: All Notes Off     
   7631781  1  --    185   123     0   10  ---  CC: All Notes Off     
   7631782  1  --    186   123     0   11  ---  CC: All Notes Off     
   7631783  1  --    187   123     0   12  ---  CC: All Notes Off     
   7631784  1  --    188   123     0   13  ---  CC: All Notes Off     
   7631785  1  --    189   123     0   14  ---  CC: All Notes Off     
   7631786  1  --    190   123     0   15  ---  CC: All Notes Off     
   7631787  1  --    191   123     0   16  ---  CC: All Notes Off     
   7631820  1  --    176    32     7    1  ---  CC: Bank LSB          
   7631821  1  --    192    74   ---    1  ---  PC: Recorder          
   7631822  1  --    176    99     1    1  ---  CC: NRPN MSB          
   7631823  1  --    176    98     1    1  ---  CC: NRPN LSB          
   7631824  1  --    176     6    12    1  ---  CC: Data Entry MSB    
   7631825  1  --    176    38     0    1  ---  CC: Data Entry LSB    
   7631826  1  --    176    99   127    1  ---  CC: NRPN MSB          
   7631827  1  --    176    99     1    1  ---  CC: NRPN MSB          
   7631828  1  --    176    98     2    1  ---  CC: NRPN LSB          
   7631829  1  --    176     6    12    1  ---  CC: Data Entry MSB    
   7631830  1  --    176    38     0    1  ---  CC: Data Entry LSB    
   7631831  1  --    176    99   127    1  ---  CC: NRPN MSB          
   7631831  1  --    176    99     1    1  ---  CC: NRPN MSB          
   7631832  1  --    176    98     4    1  ---  CC: NRPN LSB          
   7631833  1  --    176     6     2    1  ---  CC: Data Entry MSB    
   7631834  1  --    176    38     0    1  ---  CC: Data Entry LSB    
   7631835  1  --    176    99   127    1  ---  CC: NRPN MSB          
   7631904  1  --    176    21    64    1  ---  CC: 21 (E-MU)         
   7631905  1  --    176    53     0    1  ---  Control Change        
   7631906  1  --    176    15    64    1  ---  Control Change        

Protection seems to be provided by resetting the controllers
on channels 1-16, as well as doing an 'All Notes Off' command
on all channels. I don't know what MSB and LSB mean, in the
'CC: NRPN MSB', 'CC: NRPN LSB', 'CC: Data Entry MSB',
'CC: Data Entry LSB', 'CC: Bank LSB', Data Entry MSB, and
'Data Entry LSB' Events, but it was a given that all of them
are not necessarily explainable.
-------------------------------------------------------------------

I apologize for my apparent inadequacy in answering number 6,
but I really don't get where the requested information might
be found, unless the question is based on knowledge assumed
to have been priorly gained.


If there's anything which seems unclear or missing, let
me know, and I'll do my best to assist you.

Please do not rate this answer until you are satisfied that  
the answer cannot be improved upon by means of a dialog  
established through the "Request for Clarification" process. 
 
A user's guide on this topic is on skermit-ga's site, here: 
http://www.christopherwu.net/google_answers/answer_guide.html#how_clarify 
 
sublime1-ga

Request for Answer Clarification by barnaclau-ga on 16 Nov 2003 04:00 PST
Hello,

Thanks a lot for what you have done.

I found this bit of text about question 6 (Note Off).

I hope this can help you find what kind of Note Off is generated by your keyboard.


Note on ? 9n:
Let?s turn on our first note using a channel message. If we play
middle C (which by most definitions is note number sixty) on ?channel
six? with the maximum velocity (127), the message is:

Status byte
1 0 0 1            0 1 0 1
9 (note on)      5(channel 6)

First data byte
0 0 1 1            1 1 0 0
note 60 dec = 3C hex

Second data byte
0 1 1 1            1 1 1 1
127 dec = 7F hex

So the three-byte message in hex is 95 3C 7F, and the note is turned
on as soon as this message arrives. The velocities range from 1(01) to
127 (7F). This is the speed of the key, but represents the force with
which the key is hit. A higher velocity normally corresponds to a
louder note.

Why did we code ?channel six? as 0101? Channels are numbered 1 to 16,
but the four bits represent numbers from 0 to 15. So ?channel one?
means the second nibble (half a byte) is 0000, and ?channel 16? means
it is 1111.


Running status:
If we play a C major chord on this channel, we would send out ?95 3C
???, ?95 40 ???, ?95 43 ???, where the ???? are the velocities.
Clearly we?re wasting effort in sending all these ?95? bytes. In fact,
there?s an easier way to do it. Virtually all synthesisers implement
running status, whereby we can send ?95 3C ???, ?40 ???, ?43 ???. If
the synth doesn?t receive a status byte at the beginning of a message,
it assumes the data bytes use the same status byte as before. And it
knows whether the byte is a status byte because status bytes have the
top bit set.


Note off-8n
After sending a ?note on? command, the notes plays continuously ? we
thus need to end the notes when the keys are released. The original
way of doing this was to use the ?note off? message:

Status byte
1 0 0 0            0 1 0 1
8 (note off)     5(channel 6)

First data byte
0 0 1 1            1 1 0 0
note 60 dec = 3C hex

Second data byte
0 0 0 0            0 0 0 0
(usually zero)

So if we played middle C three times the data would be:
?95 3C ???, ?85 3C 00?, ?95 3C ???, ?85 3C 00?, ?95 3C ???, ?85 3C 00?

This is rather wasteful; as the status byte keeps changing, we can?t
benefit from running status. So a new way of switching off a note was
devised. ? Instead of sending a ?note off? command we send another
?note on? command, but with a velocity of zero. This means that the
status bytes are 95, so we simply send:
?95 3C ???, ?3C 00?, ?3C 00?, ?3C 00?, ?3C 00?, ?3C 00?, which is
shorter ? 13 bytes instead of 18. The new way is more efficient and
thus more common.
The old style note-off has as its second data byte the release
velocity. In principle, this allows you to control the end of the
note. However, few keyboards actually measure this parameter and few
synths can respond to it.

If this helps you, can you give me some sample output included with
the answer for number six?

Thank you

Clarification of Answer by sublime1-ga on 16 Nov 2003 09:06 PST
Claudia...

Yes, that was very helpful information, and it is now clear
that the Kurzweil produces the 'old style' note off:

"So if we played middle C three times the data would be: 
'95 3C ??', '85 3C 00', '95 3C ??', '85 3C 00', '95 3C ??',
'85 3C 00'."
 
The hexadecimal output from the Kurzweil looks like:

 TIMESTAMP IN PORT STATUS DATA1 DATA2 CHAN NOTE EVENT
 000AF87E   1   1     95    3C    2B    6  C  4 Note On
 000AF947   1   1     85    3C    42    6  C  4 Note Off
 000AFA60   1   1     95    3C    28    6  C  4 Note On
 000AFB2B   1   1     85    3C    45    6  C  4 Note Off
 000AFC4F   1   1     95    3C    34    6  C  4 Note On
 000AFD10   1   1     85    3C    50    6  C  4 Note Off

...and the same results in decimal output (I was able to
use the MIDI-OX 'Monitor Output' Window set to hexadecimal,
at the same time the 'Monitor Inp[ut Window was set to
decimal output, to record the same events):

 TIMESTAMP IN PORT STATUS DATA1 DATA2 CHAN NOTE EVENT
    718974  1  --    149    60    43    6  C  4 Note On
    719175  1  --    133    60    66    6  C  4 Note Off
    719456  1  --    149    60    40    6  C  4 Note On
    719659  1  --    133    60    69    6  C  4 Note Off
    719951  1  --    149    60    52    6  C  4 Note On
    720144  1  --    133    60    80    6  C  4 Note Off

"So a new way of switching off a note was devised. ? Instead
 of sending a 'note off' command we send another 'note on'
 command, but with a velocity of zero. This means that the
 status bytes are 95, so we simply send:
'95 3C ??', '3C 00', '3C 00', '3C 00', '3C 00', '3C 00',
 which is shorter ? 13 bytes instead of 18. The new way
 is more efficient and thus more common.
 The old style note-off has as its second data byte the
 release velocity. In principle, this allows you to control
 the end of the note. However, few keyboards actually measure
 this parameter and few synths can respond to it."

It is clear to me, from the decimal readout of the 'note off'
events recorded above, that the Kurzweil is, in fact, measuring
the release velocity of the key when the note is released. 

In fact, it is one of the midi parameters which can be used
to program the Kurzweil patches. If I assign a pitch shift
of, say, 170 cents, controlled by the release velocity, it
produces a definite variation in the pitch when I release
the notes - producing an odd sound, to say the least. So:


6. Determine whether your MIDI keyboard generates old-style or  
new-style Note Offs.  

--------------------------------------------------------
Definitely old-style. Release velocities are in evidence
in the DATA2 parameter of the 'note off' events, in the
decimal display:

 TIMESTAMP IN PORT STATUS DATA1 DATA2 CHAN NOTE EVENT
    718974  1  --    149    60    43    6  C  4 Note On
    719175  1  --    133    60    66    6  C  4 Note Off
    719456  1  --    149    60    40    6  C  4 Note On
    719659  1  --    133    60    69    6  C  4 Note Off
    719951  1  --    149    60    52    6  C  4 Note On
    720144  1  --    133    60    80    6  C  4 Note Off

...and, in the hexadecimal display, the '85' Status is
sent with every note off command:

 TIMESTAMP IN PORT STATUS DATA1 DATA2 CHAN NOTE EVENT
 000AF87E   1   1     95    3C    2B    6  C  4 Note On
 000AF947   1   1     85    3C    42    6  C  4 Note Off
 000AFA60   1   1     95    3C    28    6  C  4 Note On
 000AFB2B   1   1     85    3C    45    6  C  4 Note Off
 000AFC4F   1   1     95    3C    34    6  C  4 Note On
 000AFD10   1   1     85    3C    50    6  C  4 Note Off
--------------------------------------------------------

I believe that resolves #6. Let me know if there's anything
else I can clarify.

Best regards...

sublime1-ga
barnaclau-ga rated this answer:5 out of 5 stars
Thank you very much for your great help.
You did a very goot and fast job out of this.
Thanks again

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