Clarification of Answer by
tutuzdad-ga
on
13 Sep 2004 20:13 PDT
Yes, surely I have seen this as well. Delius is said to have equated
his music with art, specially color, where it pertains to conveying
serene naturalistc scenes through its melody:
"Composers had set dawn upon the orchestra before, notably Grieg (Peer
Gynt Suite), whom Delius knew after he returned to Europe. It was
Grieg in fact, convinced of the young man's talent, who finally
reconciled Delius' father to Frederick's musical career. There was
precedent too for music of rivers and waters, which runs, with
characteristic meters and melodies, throughout the history of the art.
The storm which occurs at "Sunset," in the third scene, is a storm in
the tradition of Beethoven and Rossini, and I might add, a wonderful
rendering of the setting. The timeless serenity and expanse of the
scene on the Saint John's can be felt in the breadth of the themes and
the gradualness of their development, in the gradual expansion and
contraction of dynamics, and in the composer's sensitive use of
orchestral colors, a sensitivity, throughout his life, particularly
suited to depicting scenes of nature."
"Delius: Florida Suite, Dance Rhapsody, Over the Hills and Far Away:
The Royal Philharmonic Orchestra Sir Thomas Beecham, Conductor
Seraphim S-60212"
http://users3.ev1.net/~wbthomp/zooworld.html
No doubt you are right in that Delius recokoned a certain relationship
between his music and what we know if this term "aquarelle" but it
wasn't the water per se but the conveyance of the entire nature scene
and all it encompasses that his music reflects. In addition, Delius
enthusiasts sitting on the spot near the St. Johns River at Solano
Grove where Delius lived, composed and fell in love with his riverview
surroundings in 1884-1885 have likened the sunrise there to "a
watercolor painting". Surely the composer himself noticed this as well
and these things influenced his work.
A RIVER RUNS THROUGH IT
http://www.ju.edu/news/JUmagazine/summer1999/river.htm
While the word itself, as I indicayed, is not relative to music in the
formal sense, if one were to envision by compaprision the composer's
shifting musical "textures" this is undoutedly the explanation of HIS
intended use of the word for this particular peice if not his thoughts
at the time.
I hope this adds signficantly to what we have already discussed.
Regards;
tutuzdad-ga