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Subject:
First Stereo Recordings for Presley and Sinatra
Category: Arts and Entertainment Asked by: braitman-ga List Price: $3.00 |
Posted:
10 Nov 2005 16:38 PST
Expires: 10 Dec 2005 16:38 PST Question ID: 591685 |
Part 1: What were (and when were) the first true stereo recording sessions for Elvis Presley and Frank Sinatra? Part 2: What were the first official releases of these stereo recordings? (Please only include contemporary releases, not recent "discovered" recordings.) Part 3: What current CD includes these original stereo recordings? Thanks! Stephen |
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There is no answer at this time. |
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Subject:
Re: First Stereo Recordings for Presley and Sinatra
From: smelt-ga on 11 Nov 2005 05:13 PST |
http://www.elvisrecordings.com/ Studio Session for RCA RCA Studio B Nashville, Tennessee March 20-21, 1960 L2WB0083-03 Stuck on You 2:20 March 21 http://www.answers.com/topic/1960-in-music April 4 1960- RCA Victor Records announces that it will release all pop singles in mono and stereo simultaneously, the first record company to do so. Elvis Presley's single, "Stuck on You," is RCA's first mono/stereo release. http://www.history-of-rock.com/elvis_presleytwo.htm After his release from the Army in March 1960, he recorded his first stereo record, "Stuck On You" |
Subject:
Re: First Stereo Recordings for Presley and Sinatra
From: smelt-ga on 11 Nov 2005 15:46 PST |
http://www.planeteria.net/home/BAAS/High_Note/hn_articles/hn24_01.html Frank Sinatra - Where Are You This is Frank Sinatra's first stereo recording. The year was 1957 and Gordon Jenkins style fit all the ballad and torch selections perfectly. Of particular note, besides the title song is " There's No You " - This tune is a little known gem that gets better each time you listen to it. The Capitol Years (3 CD's) is another great collection that you've got to own. http://www.19.5degs.com/album/where_are_you/7206 "Where Are You?" is not only Sinatra's first album recorded in stereo, it is actually something of a change of pace for the singer since it was the first album he recorded at Capitol with a producer other than Nelson Riddle, beginning a successful collaboration with arranger/conductor Gordon Jenkins. The key difference between the two producers was that Jenkins tended towards the classical touch of lush string-dominated arrangements in providing the proper touch of melancholy for this collection of torch songs. The result is not the stark sadness of earlier Sinatra collections of saloon songs (e.g., "In the Wee Small Hours"), but more an overwhelming sense of sadness. Ten years later he would win the Grammy for producing another essential Sinatra album, "September of My Years." http://www.amazon.com/exec/obidos/tg/detail/-/B000005JM0/002-5936121-7440836?v=glance |
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