I think the answer to your question probably lies in the following
story, which I will summarize, since the original material is
copyrighted. This narrative comes from the online memoirs of one of
the film's actors, "The Eyes and the Voice: The Memoirs of Vladek
Sheybal." They were originally intended for print publication;
however, the actor died in 1992 before he could complete a draft
manuscript. His estate has allowed the unfinished project to be
published on the internet.
In Chapter Twenty-One, which is devoted to memories of working with
Ken Russell, Sheybal relates the fascinating story of a second showing
of the Debussy film in 1988, 23 years after it was first screened in
1965 on Momento, a regular Sunday evening BBC Arts program during the
1960s. He received a phone call from the people planning the opening
of a new art centre (he later calls it a "club") in Paris. They wanted
his help in securing a copy of the film to show for the opening night,
and also wanted him to be there for the event to introduce the film.
Sheybal contacted Ken Russell, who said that the BBC owned the rights
to the film and would have it locked away in their archives if they
hadn?t already destroyed it. Using contact information he got from
Russell, Sheybal spent several days telephoning, finally getting a
conditional ?yes? from the BBC for the showing of the film, provided
it would not be shown commercially (the "club" was non-profit). In
addition, the network required the film to be accompanied by a BBC TV
security guard, whose expenses for the trip would have to be
completely covered by the Paris organization. Finally, the film could
be shown only once. All the conditions were met, and the film was
screened at the opening for only the second time in its history, a
fact that Sheybal laments as he recounts his perception of the
audience's entranced response. Presumably, it is still locked away
somewhere in the BBC vaults.
The issue with Debussy's estate is mentioned briefly in the write-up
on Russell's film on the website of the British Film Institute. You
can read the relevant comment in the first parapraph on this page:
http://www.screenonline.org.uk/tv/id/495009/index.html
Here is the link to Sheybal's memoirs. You will find some additional
comments about working with Russell on the movie in the chapter I
cited earlier.
The Eyes and the Voice: The Memoirs of Vladek Sheybal
http://admin.vladeksheybal.com/ |