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Subject:
Marketing an Independent film to the public.
Category: Business and Money > Advertising and Marketing Asked by: panda1-ga List Price: $200.00 |
Posted:
22 Jun 2006 20:10 PDT
Expires: 22 Jul 2006 20:10 PDT Question ID: 740371 |
I am Interested In Marketing an Independent film to the public. I am not asking how to make a film. I am also not asking how to raise funds or find investors. I am financially independent and have no desire to seek outside investors. I will be funding the marketing of my film myself once it is complete. I have seen films in blockbuster that have never made it to the big screen. Films like Gummo and Kids. Some are "documentary" type films that play out like a movie. They are very inexpensive films to make. I Plan on doing films similar to this. My question is simply this: Once I make my film, what are the proper steps to go through to receive the highest profit margin? I.E. Should I get it in blockbuster? If so how? Maybe I should contact HBO? Where I go from here, and what are some of the challenges I amy come across? Feel free to speak to me as if I were a 3 year old (I am clueless). Also Please share any details or resources you may acquire. Thank you. |
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Subject:
Re: Marketing an Independent film to the public.
Answered By: easterangel-ga on 23 Jun 2006 06:35 PDT Rated: |
Hi! Thanks for the question. Your query would be better answered by pulling together different resources that discuss tips on how to market independent films or movies. They may have some varieties in tactics but you can adopt them depending upon the situation which will be more appropriate to you. The articles mentioned are easy to understand and the explanations are quite concise. ?10 Tips to Market and Promote your Independent Film? http://www.mwp.com/pdf/10TipsPromoteYourFilm.pdf ?10 Tips to Find a Distributor for Your Independent Film? http://www.mwp.com/pdf/10TIPSFindDistributoR.pdf ?DATA SNAPSHOT Independent Film? (This is an interesting survey of independent fil fans. For example it provides, how they get information, why they go see indie films, etc.) http://www.scenariodna.com/downloads/indiefilm.pdf ?Independent Film Distribution? (Registration Required) http://www.customflix.com/Producer/DistributionTips.jsp ?DISTRIBUTION TIPS for Independent Film, Video and more? http://www.movieindustrymarketing.com/cgi-bin/gt/tpl.h,content=46 ?EMERGING PICTURES: The Future of Independent Film is Now? http://www.movieindustrymarketing.com/exec/gt/tpl.h,content=26 Search terms used: marketing distribution tips independent film I hope this would help you in your research. Before rating this answer, please ask for a clarification if you have a question or if you would need further information. Regards, Easterangel-ga Google Answers Researcher | |
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panda1-ga
rated this answer:
Good answers and resources. |
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Subject:
Re: Marketing an Independent film to the public.
From: frde-ga on 24 Jun 2006 05:39 PDT |
Back in about 1983, my brother and a dubious Russian friend of his, came up with the idea of making videos of live gigs of unknown bands - for free - the idea was to sell them through the music press by mail order (at that time you paid a fortune for a promo video/film - and video kit was just starting) I was drafted in to work out the financials, they surprized me, and seriously interested the putative 'backers' to whom I gave the numbers part of the presentation. It did not come off, possibly because we gave too much away, but probably because we looked a seriously dodgy trio. Your question resonates that old 'what if' - worrying about Blockbusters is a waste of time, chances are that they make people pay for listing - but ultimately they are controlled by 'suction' - market demand You want to make inexpensive movies, fair enough, as a word of caution keep a couple of lifeboats (don't mortgage the farm). As you probably know, most actors are 'resting', you can get them for day work (if you sell the story right), and bits of your clunkers could be worth a mint in a few years time. In the scenario I envisaged, footage of something like the Beatles in The Cavern would be worth a fortune - the long term bet. In your case, rounding up the unemployed (but potentially good) talent, and making low budget movies is a good idea - when one of your alumni really makes it through the standard machine, you own early footage - and if you are sensible they own a proportion. If you have some interesting material, you will find rather a lot of people wanting to market it for you. |
Subject:
Re: Marketing an Independent film to the public.
From: rrpr-ga on 13 Nov 2006 10:47 PST |
I am a publicist who has been involved in marketing international and American independent films for 25 years. I have seen many "how-to" articles like the ones above, but what is not mentioned is that it hardly ever works, unless you have a professional helping you. There are many examples of self-distribution, but success only comes when 1)the film is really good; 2) the filmmakers have a tremendous instinct for marketing themselves; and 3) they are willing to spend a year or two selling their film, rather than making another one. So the question is: do you know you have the first two and are you willing to make the time commitment? It worked out great for the filmmakers of "Brother's Keeper." They got their film seen, they made a lot of money, and they kick-started their career. In most cases it doesn't work at all, and so you've spent all that time with very little to show for it. Perhaps you could have made another movie and that would have helped you more. People talk all the time about "new forms of distribution," from the internet, etc. But there is one thing that is undeniable: people need to want to see your movie. There are a lot of films on Netflix, not to mention new movies every week in theatrres. Why your movie? Tough odds, right? Well don't give up hope. Good films almost always get seen, and if not, the good filmmakers keep working and they eventually make it. The first thing is to approach a producer's representative like John Sloss. I don't have a list, but you need to find out who they are. It is hard to get them to take you on, but if they do, they will guide you through the process. They will either take you to festivals (most likely) or in some cases try to sell your film directly to a distributor. There are advantages to both approaches. If you can't get a rep, submit to a major festival. Obviously, the most important is Sundance, but there are others that make a difference. Toronto definitely and all the festivals near NY and LA, like Woodstock, the Hamptons, Tribeca, etc. (NY is more important as almost all the companies who distribute independent film are here.) South by Southwest is building each year. Sometimes people who don't get into these go on the smaller film circuit. But it takes a lot of money to enter all these festivals and go to them if you get in. But this is where the press, the distributors, the producer's reps, the publicists, and the agents will see you If you can't get into any festivals, you can keep trying. But my advice is to suck it up and make another one. That's what many leading filmmakers did. Learn what you can and move on. FYI, I have recently begun offering a service to help independent filmmakers market themselves. I'm only taking on a few clients, but if you're interested you can find me at reidrosefelt.com. There is also a list of film publicists that go to festivals on my site that you might find helpful: http://reidrosefelt.com/Independent%20Film%20Marketing/publicists.html |
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