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Subject:
Sensory Branding
Category: Business and Money > Advertising and Marketing Asked by: lindstrom-ga List Price: $15.00 |
Posted:
12 Dec 2003 00:25 PST
Expires: 11 Jan 2004 00:25 PST Question ID: 286276 |
If you happen to fly Singapore Airlines you will notice a special smell onboard the plane. The smell called Stefan Floridan Waters is a branded Singapore Airlines smell - patented by the airline and sprayed on all the hot-towls given to the passengers. My question is - can you identify cases of other brands which has integrated a sensory appeal into their brand - just as Singapore Airline uses the smell to build their brand? The answer should describe the brand and include a small case on the sensory branding strategy used. You will be paid for each case you identify - just submit each case seperatly. Good luck, Martin |
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Subject:
Re: Sensory Branding
Answered By: bobbie7-ga on 12 Dec 2003 05:49 PST Rated: ![]() |
Hello Martin and thank you for your question! British Airways business class lounge at Heathrow Airport ?You`ve just disembarked from a long and exhausting flight, and are still waiting for your onward connection, so the smell of freshly cut grass and the tangy scent of the sea are invigorating. But you're not reclining on some tropical beach sipping a strawberry daiquiri. In fact, you haven't even left the airport. You're in the British Airways business class lounge at Heathrow, and the fragrances you're savoring have been specially created to enhance your comfort. "It's all about making people feel refreshed and uplifted," says Jamie Bowden, BA's media relations manager, of the designer aromas wafting around the room. And, of course, it's all about encouraging you to book your next flight with BA, too.? This text was extracted from a Time Magazine cover story (VOL. 154, NO. 5) Source: Aroma Market http://www.aroma-market.lv/eng/jaunumi.html British Airways ?The British Airways business class lounge at Heathrow Airport is infused with the smell of freshly cut grass and the salty odour of the sea.? Rolls-Royce And following complaints that the later model Rolls-Royces didn?t have the same smell as their forerunners, the car?s coachbuilders developed a chemical solution that would replicate the nasal illusion of driving the world?s most luxurious car. The result ? ?Eau de Rolls-Royce 1965 Silver Cloud??. The Ecologist Date Published: 22/10/2002 Author: Jeremy Smith http://www.theecologist.org/archive_article.html?article=342&category=33 From Harvest Consulting Group: ?Building Brands with Sensory Experiences? Singapore Airlines British Airways business class lounge at Heathrow Crayola ?A decade ago, Singapore Airlines blazed new ground in sensory branding. By scenting the hot towels that the flight attendants distribute before and after takeoff, they developed what is now the characteristic Singapore Airlines smell. The British Airways business class lounge at Heathrow is infused with the smell of freshly cut grass and the tangy scent of the sea. In another obvious example, Crayola believed the smell of their crayons was important enough to their brand to trademark it.? (..) ?B.O.C. Gases of Guildford, England, is one of several companies that has carried out commercial scent experiments for clients. It tried out the aroma of newly washed linen for Thomas Pink, the famous shirtmakers in London?s Jermyn Street, and tested the fragrance of fresh leather in the showrooms of a car dealership. Duncan Roberts, B.O.C.?s sales and marketing manager, said that companies have even approached him regarding the creation of ?corporate smells? to go along with their corporate logos.? You might even try to recreate that pleasant ?new car smell,? as used-car dealerships have been doing for years. Source: The Brand Channel http://www.brandchannel.com/images/papers/BrandSense.pdf Crayola ?Crayola had the smell of their crayons trademarked, as they believed it was an essential part of their brand. Playing with the five senses opens up branding to countless untapped opportunities for companies to enhance their relationships with their customers. I believe we?ll start experiencing this more and more in the years to come.? Source: The Brand Channel http://www.brandchannel.com/images/papers/BRANDS_are_alive.pdf ?This points to a really interesting area - the use of smell in branding. An obvious example is Crayola, who I believe has patented (or at least trademarked) the smell of their crayons.? Tad Hirsch Interaction Design Studio Institute for Complex Engineered Systems Carnegie Mellon University http://list.informationdesign.org/pipermail/infodesign-cafe/2000-March/070018.html Andrew Losowsky reports: "The key [for a successful smell] is for people to become aware of it the moment they walk into a room," says Frank Knight, of the Lancashire-based company Dale Air, whose commissions have included supplying a nationwide chain of travel agents with the smell of coconut oil. "What you find is that the smell stays in people's memory and is then associated with that particular store," he says. "It gets people into the right mood and then they might buy more products." (..) ?An increasing number of companies are now trying to exploit this sensation. One clothing company has tried pumping a unique smell into its shirt packaging. Meanwhile others are starting to copyright their own smells before people try to replicate them - the smell of Crayola crayons, for example, is now patented, as is a particular perfume called Eau de Rolls-Royce 1965 Silver Cloud.? http://www.losowsky.com/archives/005913.html http://www.losowsky.com/archives/smells.pdf Rolls-Royce ?I?ve come to see (and smell) the olfactory sensation that is Essensual. Dubbed ?Eau de Rolls-Royce? by the tabloids, it is an aromatic oil that you apply to the underside of a car?s seats to recreate the smell of a classic Roller.? ?Customers kept complaining that something was missing from the new Rolls-Royces, even though they couldn?t put their finger on what it was,? says Hadland. ?It dawned on me that it could be the smell.? ?The insides of old cars tend to smell of natural substances like wood, leather, hessian and wool but modern safety regulations and building techniques mean that most of these have now been replaced by foams and plastics. The only way to recapture that essence is by artificially mimicking it.? Hadland settled on a 1965 Rolls-Royce Silver Cloud as the ideal reference car and set about analysing its aroma. http://www.scgordon.co.uk/Pages/Essensual_1a.htm http://www.scgordon.co.uk/Pages/Essensual_1b.htm Sensory Brand Management: It Makes (Five) Senses By Martin Lindstrom September 17, 2002 ?A major British bank introduced freshly brewed coffee to its branches with the intention of making customers feel at home. The familiar smell relaxes the bank's customers, not an emotion you'd normally associate with such an establishment.? http://www.clickz.com/brand/brand_mkt/print.php/1464261 ?Our surroundings are also being scented to manipulate how we perceive them. Supermarkets `bake' (read, `reheat') bread on site. The British Airways business class lounge at Heathrow Airport is infused with the smell of freshly cut grass and the salty odour of the sea. And following complaints that the later model Rolls-Royces didn't have the same smell as their forerunners, the car's coachbuilders developed a chemical solution that would replicate the nasal illusion of driving the world's most luxurious car. The result `Eau de Rolls-Royce 1965=20 Silver Cloud'.? http://216.239.53.104/search?q=cache:F3wtdK7uC-sJ:groups.yahoo.com/group/vrykolakas/message/1621%3Fsource%3D1+%22Eau+de+Rolls-Royce%22+&hl=en&ie=UTF-8 Search Criteria: Sensory marketing Sensory branding Multi-Sensory branding Corporate smells Branding similar to Singapore Airlines olfatory branding Martin, You mentioned in your question ?You will be paid for each case you identify - just submit each case separately.? Given the format of Google Answers I was not able to submit ?each case separately.? If you feel that I have correctly identified more than one case, you may add the additional fee via the tip feature. Best regards, Bobbie7 | |
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lindstrom-ga
rated this answer:![]() Extremly high search quality - well done! |
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Subject:
Re: Sensory Branding
From: bobbie7-ga on 12 Dec 2003 15:48 PST |
Dear Martin, An example of tactile branding could be the Coca Cola bottle. Given the unique shape of the bottle, it can even be recognized in the dark. From the Corporate Design Foundation: ?We need a new bottle - a distinctive package that will help us fight substitutions...we need a bottle which a person will recognize as a Coca-Cola bottle even when he feels it in the dark. The Coca-Cola bottle should be so shaped that, even if broken, a person could tell what it was..." wrote the company's legal counsel in 1915, urging management to develop packaging that could be protected by trademark and patent laws. In response, the now globally celebrated contoured glass Coke bottle was born.? http://www.cdf.org/cdf/atissue/vol2_2/cocacola/cocacola.html ?The Coca-Cola Company had to think of something to make them different from these competitors. In 1913 it decided to change the shape of the bottle. It had to be a bottle with a unique shape that you could even recognize in the dark, just by touching it. With this goal in mind, the Root Glass Company in Indiana developed the famous bottle we now all know. ?The Coca-Cola Company spoke of the "Contour Bottle", but the public gave it a different nickname: "The Hobbleskirt". In those days, the so called hobbleskirt (long skirts, tied together at the ankles) was very popular.? ?The bottle was such a commercial and artistic success, that it received a place at the Museum of Modern Art in New York.? http://www.delerium.demon.nl/cocacola/bottle.html The Contour Coca-Cola Bottle became one of the few packages to achieve trademark status by the U.S. Patent Office. Today, it's considered the most recognized package design on the planet.....yes, even in the dark.? Contourbottle.com http://www.contourbottle.com/history.htm If this case meets your requirements, all you have to do is post another question with my name in the subject, and I?ll repost my findings as the answer to your question. Thanks, Bobbie7 |
Subject:
Re: Sensory Branding
From: lindstrom-ga on 12 Dec 2003 16:16 PST |
Done - keep up the good work. I'll be standby for more stuff from you. Here are some ideas for your future research for me: I?ve been told that there exist a lot of Japanese cases (The Japanese people supposedly are very focused on smell). I've also heard that a tennis ball should be patented due to the balls tactile design. Has any cell phone brands worked on this - designing a tactile feeling, ring tones? Has Disney written anything about how they work on this in their theme parks? Has any research been conducted on the topic? Any ideas are welcome as long as they match the Sensory Branding concept Good luck, Martin |
Subject:
Re: Sensory Branding
From: bobbie7-ga on 12 Dec 2003 16:25 PST |
Thanks Martin! I'll see what else I can discover. Bobbie7 |
Subject:
Re: Sensory Branding
From: lindstrom-ga on 12 Dec 2003 21:08 PST |
Yes that's good - how much do I own you for this one? Martin PS: It's a difficult task eh? |
Subject:
Re: Sensory Branding
From: bobbie7-ga on 12 Dec 2003 21:20 PST |
Hi Martin, I'm glad you liked the last case. Just post a new question with my name in the subject and yYou can pay me whatever you think is fair. Thanks again, Bobbie7 |
Subject:
Re: Sensory Branding
From: lindstrom-ga on 12 Dec 2003 22:09 PST |
Done - the money is on it's way. I'm waiting for more ... what more can you come up with? Martin |
Subject:
Re: Sensory Branding
From: bobbie7-ga on 12 Dec 2003 22:28 PST |
Dear Martin, I just posted my findings as the answer to the new question. Thank you. Tomorrow I'll resume my search and hopefully I'll find more cases for you. Sincerely, Bobbie7 |
Subject:
Re: Sensory Branding
From: bobbie7-ga on 13 Dec 2003 06:45 PST |
Hi Martin! Pharma brands capture hearts and minds ?Pharmaceutical companies are now using the pills they sell as marketing tools. Tablets and capsules come in all shapes, sizes and colours, each intended to differentiate the product, impart a particular emotional "feel" to the drug and instill customer loyalty.? Source: IMS http://www.ims-global.com/insight/news_story/0109/news_story_010925.htm The Pfizer blue diamond-shaped Viagra tablet: ?Viagra is an excellent example of how color can be used effectively in combination with a unique diamond shape for trademark protection. This combination of pharmaceutical brand identity and product design is globally recognized, and the solid dose tablet represents the end-product as well as the trade name.? BEST: Case Histories http://www.colorcon.com/best/b04_case_hist.html Does this case meet your needs? Thanks, Bobbie7 |
Subject:
Re: Sensory Branding
From: omnivorous-ga on 13 Dec 2003 06:51 PST |
Martin -- I've run across a business law journal from 1991 (actually while researching the Kellogg's question) that mentions quite a few cases -- and which discusses legal precedent. Are you interested in it. Best regards, Omnivorous-GA |
Subject:
Re: Sensory Branding
From: boquinha-ga on 13 Dec 2003 07:11 PST |
Is this the kind of thing you seek? Koosh Balls "During the 1988 Christmas season, the Koosh ball was the hottest toy on the shelves. The Koosh ball was a rubber ball filled with a jelly-like plasma and its outside consisted of hundreds of rubber spikes making it look like a soft and flexible porcupine that did not hurt to hold or squeeze. When someone sqeezed the object, the plasma caused it to squirm around in his hand while the spikes provided something to grip in one's hand. The koosk ball was developed by Scott Stillinger and Matt Button, the owners of Oddz On Products. The toys had great appeal with a suprising number of adult fans. It was estimated that 40% of the toys were purchased for adults to play with. Several million units were shipped from the next four years and were supported by an official user's guide "The Official Koosh Ball." While the number of units sold has dropped off, they are still a holiday favorite." http://www.badfads.com/pages/collectibles/kooshball.html Regards, Boquinha-ga |
Subject:
Re: Sensory Branding
From: lindstrom-ga on 13 Dec 2003 14:25 PST |
Bobbie7, your answers regarding the pills is absolutly spot on - I'll establish a seperate payment in my account for you to answer. Thanks for your help - more cases are always welcome. Martin |
Subject:
Re: Sensory Branding
From: lindstrom-ga on 13 Dec 2003 14:26 PST |
Hi Omnivorous-GA, Thanks for your help on this. I'm terrible sorry you couldn't find anything on the Kellogg's request. Regarding your other request - I'm not really looking for what you are suggesting - sorry. However if you find any cases similar to Bobby7 they are always welcome for a fee. Good luck, Martin |
Subject:
Re: Sensory Branding
From: lindstrom-ga on 13 Dec 2003 14:30 PST |
Hi Boquinha-ga, I'm terrible sorry but the case you came up with is not what I'm looking for. Take a look at Bobby7's latest suggestion - this is the type of stuff I'm looking for. Cases where a products secondary features has been worked with - we are typically talking about "traditional" product, like cars, tennis balls, Coke bottles, telephones etc. The problem about your case is that the features represented in the product you mention are the primary features of the product. If you take Singapore Airlines as an example (using the Stefan Floridan Waters smell) the smell is secondary to "transportation" - still they've decided to optimize this sense ensuring a stronger consumer relationship. Boquinha-ga, I hope this clarifies - good luck with the search. All the best, martin |
Subject:
Re: Sensory Branding
From: bobbie7-ga on 13 Dec 2003 15:07 PST |
Hi Martin, I just posted my answer. I'll see if I can find anything else. Thanks again, Bobbie7 |
Subject:
Re: Sensory Branding
From: lindstrom-ga on 13 Dec 2003 16:08 PST |
Bobby7, Good stuff - another payment related to the other question can be found at: http://answers.google.com/answers/threadview?id=286500 All the best and thanks for your help, Martin |
Subject:
Re: Sensory Branding
From: bobbie7-ga on 13 Dec 2003 16:14 PST |
Hi Martin! Here?s another one. The unique shape of Toblerone chocolate. ?The unmistakable shape of the Toblerone packaging is an example of unique branding. The product, which is sold throughout the world, not only has a distinctive name but is distinguished by its triangular peaks.? ?It was Theodore Tobler and his production manager Emil Baumann who developed this uniquely shaped chocolate. The name Toblerone is a word play upon the names 'Tobler' and 'Torrone' the Italian word for honey-almond nougat." ?Concerned that a competitor may attempt to steal the concept shape for this unique product and threaten the success of Toblerone, Tobler applied for a patent for the Toblerone manufacturing process in Bern in 1906. It was granted, which led to Toblerone becoming the first chocolate product to be patented.? ?Tobler moved quickly and in 1909 also registered Toblerone as a brand name in Switzerland.? Design Technology http://www.design-technology.org/toblerone.htm I hope this case meets your needs. Regards, Bobbie |
Subject:
Re: Sensory Branding
From: bobbie7-ga on 13 Dec 2003 16:46 PST |
Hello again Martin, Galliano Liquer is unique because of the distinctive shape of its bottle which recalls a classical roman column. Here is an image of the Galliano bottle: http://www.galliano.at/images/galliano_bottle.jpg ?The Distinctive Liqueur Galliano is an Italian herb liqueur made from more than 30 herbs, spices, berries and flowers from both alpine and tropical regions. This liqueur is unique, not only in the shape of its bottle which recalls a classical roman column through its colour and name, but also in its extraordinary taste and aroma which is derived from a special bouquet combination.? ?The marriage of Italian herbs and spices with tropical aromas can be traced back to Arturo Vaccari, a brandy producer from Livorno in Tuscany. Created in 1896, Galliano was originally intended for the Italian market. But the drink rapidly developed an international following, thanks to Italians who travelled to every corner of the world.? http://www.tuleeho.com/rev_def.htm What is trade dress? ?In addition to a label, logo or other identifying symbol, a product may come to be known by its distinctive packaging -- for example, Kodak film or the Galliano liquor bottle -- and a service by its distinctive decor or shape, such as the decor of Banana Republic clothing stores. Collectively, these types of identifying features are commonly termed "trade dress." (..) ?Some examples of unusual trademarks are the sound of a Harley Davidson motorcycle, the pink color of housing insulation manufactured by Owens-Corning and the shape of the Galliano liquor container.? http://216.239.41.104/search?q=cache:l6VEwuxhs3QJ:cobrands.business.findlaw.com/intellectual_property/nolo/faq/E24CD50D-14DE-4364-AC615684D93E6CBE.html+galliano+bottle+unique+shape&hl=en&ie=UTF-8 QUESTION: What do Kodak film, the Galliano liquor bottle _ and the décor in Banana Republic Clothing Stores have in common? ANSWER: Each is protected by a term commonly known in Intellectual Property Law as ?trade dress?. Each has distinctive identifying packaging and/or features. LEVIN & HAWES http://www.levinhawes.com/1/newsltr/news02_02.pdf I hope this is a good example! Bobbie7 |
Subject:
Re: Sensory Branding
From: lindstrom-ga on 13 Dec 2003 17:16 PST |
Hi Bobbie7, Thanks for your last couple of cases. They are good but not perfect I guess because in particular the Galliano Liquer case is so obvious, similar to many other bottles, the Sapporo (Japaneese beer) and most parfume bottles. Any chance you would be able to give this another go - or at least try to find some theories behind the design of parfume bottles, the Sapporo beer etc.? I hope this is okay - if not just let me know okay? All the best from Martin |
Subject:
Re: Sensory Branding
From: bobbie7-ga on 13 Dec 2003 18:17 PST |
Dear Martin, I agree that the Galliano bottle may not be such a good case, however Toblerone chocolate appears to be a good example for its distinctive shape, which is patented. Here are two more: The Princess Telephone IT'S LITTLE, IT'S LOVELY, AND IT LIGHTS!" This was the Bell system's slogan for over 30 years, describing the princess telephone. "Princess" telephone (introduced in 1959), illustrate another major change in telephone design. It was designed by Henry Dreyfuss and Associates, the designer of the first cradle phones in the 1920's. The base of the "Princess" was oval-shaped (rather than circular) and the result was a more compact set which required less space. In the 1950's, many American families began to lease more than one telephone for their household. The "Princess" design was a reaction to this trend, because it allowed people to "match" the décor of different rooms. Because the phone was intended to appeal to women, advertisements described the phone as "lovely" and "graceful." It has a dial that is illuminated when the handset is lifted. The "Princess" was in production from 1959 ? 1983. http://www.collectorville.com/fone_princess.htm Or Spalding Flying Lady Golf Balls that are pink? Spalding Flying Lady Golf Balls feature: ? Quality two-piece construction patented by Top-Flite ? Special high-energy core designed especially for women to provide maximum distance ? Patented cover material is both cut-proof and scuff resistant ? Large, shallow dimple design provides added height on every shot, to the benefit of most women golfers. Increased height translates into increased distance and control, especially at slower swing speeds ? Pink color http://www.golf-balls-tees.com/Spalding_Womens_Flying_Lady_Golf_Balls.htm Thanks, Bobbie7 |
Subject:
Re: Sensory Branding
From: bobbie7-ga on 13 Dec 2003 19:17 PST |
Hi Martin! I'm not sure if I'm on the right track: The design of Shiseido?s Zen Perfume Bottle ?Stylized praying hands form the perfume bottle?s shape, in which light, thanks to the Iriodin® silver white pigment, refracts with a particular fineness. For Zen ? as the new dimension of well-being ? Shiseido decided to use Merck pigments for its packaging. The perfume vials are coated with Iriodin® silver white pigment, and harmonize perfectly with the silver white mass-dyed plastic lids. The outside packaging for all Zen products also are finished with Iriodin® silver white pigments.? http://www.emdchemicals.com/pigments/images/2933.pdf ?Shiseido focused on Zazen (Zen meditation), which brings an enhanced mental focus as well as a calm mind. SHISEIDO ZEN is a fragrance that will take you to a state akin to Zazen.? (..) ?The form of the bottle is designed as a motif of praying hands. Its white color, which conveys an inner feeling of transparency and light, expresses a pure and cleansed image.? http://www.shiseido.co.jp/e/e9705grp/html/grp00091.htm Is this what you have in mind? Thanks, Bobbie7 |
Subject:
Re: Sensory Branding
From: lindstrom-ga on 13 Dec 2003 19:27 PST |
Hi Bobbie7, Very good - thanks - I've posted the request on Google for you. As usual - more cases are always welcome. All the best, Martin |
Subject:
Re: Sensory Branding
From: bobbie7-ga on 13 Dec 2003 19:30 PST |
Thanks again, Martin! --Bobbie7 |
Subject:
Re: Sensory Branding
From: bobbie7-ga on 13 Dec 2003 20:45 PST |
Hi Martin! Here is the theory of the design for Sapporo Beer: The Sapporo Aluminum Bottle --------------------------- ?Sapporo Breweries of Tokyo is the first in the world to commercialize an unusual new package called the ?bottle can? The container was developed and produced by Daiwa Can (Tokyo, Japan).? ?It?s part can and part bottle, and marketers at Sapporo Breweries believe this reclosable aluminum bottle will bring new excitement to a premium brand of beer.? (..) ?Why put beer in an aluminum bottle topped with an aluminum cap? Partly for novelty?s sake. A key demographic target is young people, who, Sapporo marketers believe, are always eager to try the newest package shape?especially young people in Japan. Sapporo says it calls the container the ?Shot Bottle? because the word ?shot? has a bold, invigorating sound that it feels will resonate with 20- and 30 somethings.? ?It gives consumers the shatter resistance, light weight and proven recyclability that makes the aluminum can so popular, yet it has a key advantage over the can: the mouth feel of a bottle. And unlike the can, which Sapporo believes is widely perceived as a commodity package with no value-added features, the aluminum bottle is reclosable.? Source. Packworld http://www.packworld.com/articles/Features/12084.html Is this what you require? Thanks, Bobbie7 |
Subject:
Bobbie7
From: lindstrom-ga on 13 Dec 2003 21:20 PST |
Private question for Bobbie7 |
Subject:
Re: Sensory Branding
From: journalist-ga on 14 Dec 2003 06:54 PST |
Greetings Lindstrom: In reference to your religious branding coupled with sensory branding, you might consider incense in churches to be included. "The tradition of using incense in the liturgy dates back to ancient Hebrew worship, as recorded in the Psalms: "Let my prayer be set forth in Thy sight as the incense" (Psalm 141:2). As this verse suggests, incense symbolizes the prayers of the faithful rising up to heaven as the smoke rises to the rafters." From http://www.theadvent.org/faq.html Hope this helps. Best regards, journalist-ga SEARCH STRATEGY: incense church tradition incense church |
Subject:
Re: Sensory Branding
From: bobbie7-ga on 14 Dec 2003 12:41 PST |
Hi Martin! The Jean-Paul Gaultier perfume ?Fragile? is unique for its container and packaging. The bottle and packaging are the creation of Jean-Paul Gaultier himself. The outer packaging - a rough cardboard crate with the word ?Fragile? stamped all over it ? opens to reveal an interior lined with gold leaves. The bottle itself is a bubble on a golden base. Inside is a woman in a black sheath dress. When the bottle is turned upside down, a shower of glitter swirls around the figure.? http://www.scentagious.com/fragile.html ?A dream glass ball where absolute femininity, in a shapely form inside a black sheath meets your eyes: triumphant, elegant, strong and fragile all at the same time ... unforgettable. A staging of a performance: shaking the ball releases a myriad of golden flakes that dance around the FRAGILE woman.? The LIR plant was entrusted with the manufacturing of no less than 9 components of this perfume: the figurine of the woman, the podium in gold-colored aluminum, the socket the glass ball is screwed into, the pump, etc. ?Gilles Gasqueres, Continuous Improvement Manager at the LIR plant, explained that the main challenge was to create the pink and black dual-molded plastic figurine. Next, developing a pump* that does not get clogged when coming into contact with the flakes in the bottle and which can be operated upside-down was no child's play either. Finally, it was necessary to make the glass ball and the plastic components watertight.? http://www.recruit.pechiney.com/pechiney/pechrecrutweb.nsf/ToERReportageDocWebWo/65D78FF72B856B4FC1256A5D003027E0 ------------------------------------------------------------ Jean-Paul Gaultier (Classique) Perfume is a figure shaped bottle which comes within a tin can. When Gaultier launched his first fragrance a few years back, he used his tool in trade - the dressmaker's dummy - to promote it. The glass dummy, as much Gaultier's signature as his name, was the ideal bottle for a designer fragrance. It came adorned with a painted corset which was changed from time to time to help boost sales; http://www.jpost.com/Editions/2000/03/16/Culture/Fashion.4114.html The choice of the steel food can was intended to stimulate an impact of surprise and originality. ?The unexpected pleasure of finding an elegant and sensual perfume bottle in an ordinary food can, a tribute to the eternal woman, was Jean Paul's idea of amusing his unprepared shopper.? Images: http://www.apeal.org/Contents/Design/im/gaut1.jpg http://www.apeal.org/Contents/Design/im/gaut2.jpg http://www.apeal.org/Contents/Design/im/gaut4.jpg ?The decoration corresponds to the Jean Paul Gaultier fashion collections when one of the fabric designs is rigorously reproduced each year on the cans for the presentation of his perfumes. Every year has its special theme, for example, Asia, Polynesia and for 2001 the Floral theme. The rapprochement between perfume and fashion was possible due to the high quality reproduction now obtained through modern metal printing technologies. This permitted Jean Paul Gaultier to maintain a consistent brand image with a luxury packaging and achieve more awareness of his fabulous fabric designs through creative packaging.? http://www.apeal.org/Contents/Design/Pub16_1.html ------------------------------------------------------------ Jacomo de Jacomo is pioneer of the Zippo opening in perfumery. ?The pure lines and bursts of metal symbolize the excesses of the masculine world. Presented in a black holographic case, Jacomo de Jacomo grants to be sober and chic to express the pure elegance of the man he represents. Pioneer of the Zippo opening in perfumery, Jacomo de Jacomo modernizes its technical specificity through its automatic pushbutton system enriched with a metallic finish.? http://www.jacomo.com/english/html/principale/j2jnoir_design.asp ?This new bottle, rectangular in shape and in black glass, reflects the force and boldness of masculine beauty, truly exciting and unforgettable! Jacomo de Jacomo has demonstrated its strength of innovation by being the first one to use the Zippo opening system in the world of perfume.? http://www.jacomo.com/english/html/principale/j2jnoir_histoire.asp History and background of Jacomo http://www.fragrancex.com/comojaco.html ------------------------------------------------------------ Perfume bottles: shapes and emotions ?In the same way the connection between shapes and our emotions is utilized in the advertising industry. The use of basic shapes, and their appeal, is most obvious in perfume ads. Perfume is trying to bottle essential emotions such as attraction and sensuality. Women's ads tend to use all three shapes, thereby portraying how, according to society, women are more emotional and subject to a greater variety of feelings. The bottles that hold women's perfume are generally more oriented to curvy, circular, and triangular shapes. The curves may be reflecting the actual body, but it also implies a feeling of warmth, continuity, and security. The triangular bottle implies risk, challenge, and excitement. The bottles that tend to hold cologne are generally square in shape. They are bigger and appear more solid. This shape implies strength, honesty and reliability. They are not as alluring and enticing as women's bottles. The shapes perfectly portray the stereotypes that women and men hold in our society, true or not. ? http://www.pomona.edu/Academics/courserelated/classprojects/Visual-lit/shape/shape.html ------------------------------------------------------------ I found an interesting document regarding perfume bottles : Perfume Bottles: A Study of Contemporary Material Culture Agnes R. Gomes, H.B.Sc., M.M.St.(pending) Museum Studies Department, University of Toronto http://www.chass.utoronto.ca/history/material_culture/gomes/index.html Does any of the above information interest you? Thanks, Bobbie7 |
Subject:
Bobbie7 Part 6
From: lindstrom-ga on 14 Dec 2003 15:25 PST |
Very good Bobbie - check out my seperate request for payment. |
Subject:
Re: Sensory Branding
From: bobbie7-ga on 14 Dec 2003 15:38 PST |
Thanks again, Martin! --Bobbie |
Subject:
Re: Sensory Branding
From: pinkfreud-ga on 15 Dec 2003 14:26 PST |
Martin, Here's an excerpt from a New York Times article that you may find interesting: "NY TIMES NEWS SERVICE , DETROIT Monday, Oct 27, 2003,Page 12 For Cadillac, the new-car smell, that ethereal scent of factory freshness, is no longer just a product of chance. General Motors recently revealed that its Cadillac division has engineered a scent for its vehicles and been processing it into their leather seats. The scent -- sort of sweet, sort of subliminal -- was created in a lab, picked by focus groups and is now the aroma of every new Cadillac put on the road. It even has a name. Nuance. 'You pay the extra money for leather, you don't want it to smell like lighter fluid,' said James Embach, GM's advanced features manager. 'You want it to smell like a Gucci bag.' Automakers like GM are recasting cars, and particularly luxury vehicles, so that the things that potential buyers smell, hear and touch are increasingly the result of engineering rather than chance. Ford's Lincoln now uses light-emitting diodes to bathe its sport utilities in a white nighttime interior glow; Volkswagen uses bluish backlighting. General Motors is bringing an Australian sports car to America as a reborn Pontiac GTO muscle car, with a computer-designed roar for the previously quiet engine. No sense can be taken for granted. 'For many years, we ignored the olfactory sense,' said Embach, adding that GM has been expanding Nuance across the Cadillac line for several years and is now considering adding it to Buicks..." Taipei Times: The Cadillac is back because of 'new car' smell http://taipeitimes.com/News/worldbiz/archives/2003/10/27/2003073608 ~pinkfreud |
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Re: Sensory Branding
From: pinkfreud-ga on 15 Dec 2003 14:48 PST |
Scratch 'n' Sniff underwear! What a concept. "What makes Caution Underwear different from all others is the entertaining graphics printed on every pair. Caution Underwear also comes in Glow in the Dark and Scratch n Sniff Designs using scented inks. Imagine boxers with Bananas, that say 'Scratch This' and smell like bananas or a women's panties with a dozen red roses, that say 'Roses Are Red' and smell sweet as a rose." PRWeb: Enter the new millennium with Caution! http://www.prweb.com/releases/1999/11/prweb9966.htm |
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Re: Sensory Branding
From: lindstrom-ga on 15 Dec 2003 15:12 PST |
Hi pinkfreud-ga, Thanks for your comments...they are both very interesting....but Unfortunately I know both cases very well as both case are from recent times (but how could you know) - try to see if you could find one more case and I'll secure you a payment for your good effort. I would in particular be interested in the fact that both BMW and Mercedes-Benz are working on the sound of their doors opening and closing. I've been told that BMW has some 30 engineers working on this particular project (Germans!!!!!). I hope this is okay - just let me know if you feel I'm unfair ...okay? All the best and thanks for your support. Martin |
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Re: Sensory Branding
From: pinkfreud-ga on 16 Dec 2003 11:42 PST |
Here's an article from "Sound and Vibration" magazine that I think you'll find interesting: Sound and Vibration: Product Sound Quality ? from Perception to Design http://www.sandv.com/downloads/0303lyon.pdf |
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Re: Sensory Branding
From: pinkfreud-ga on 16 Dec 2003 12:57 PST |
This might be of some use: "Brand Identity In the car industry there are car lovers who recognize their car by the sound of the slamming door. This sound sometimes especially created by a multi disciplinary team of sound designers, engineers, product designers and psychologists is very characteristic for the brand it is created for. The sound enhances the values, for example sturdiness, safety, and trust that are the base of the specific brand. The car becomes a total concept from a form, touch and sound point of view. Harley Davidson make another clear sound statement. Although in this product the sound of the engine and components is loud and not really environmental friendly it is seen as the major selling point of the product. The sound of the bike is an essential element of the product, it creates the identity of the bike; tough, powerful, dynamic an incarnation of a wild and free life. Harley Davidson even had to patent their sound because competitors tried to copy it. In the software industry, the Apple Macintosh computer shows how sound design can contribute to giving a high quality, trustworthy brand image. When starting up the Mac it welcomes you with a warm comforting boom. A sound which gives you the feeling of entering the joyful, positive world of the Mac, easy and pleasant to use. The start sound sets the atmosphere in which you are going to work for the rest of the day. In the food industry it is difficult trying to sell something because of its taste without being able to try it. Therefore the advertisements for food are very much focussed, next to the visual image, on sound. The televisions adverts for a Dutch chips brand named Crocky focuses on the enormous crack of the chips. It sounds so extreme that it cracks your television screen. Crispy sounding chips becomes the embodiment of a fresh and tasty product. The same happens in the 7Up advertisement. The sound of opening your 7Up can changes your warm sunny environment into a cool and fresh, rainy place. Just what you need on a boiling hot day. Functional Identity But we should not forget what sound could also do to enhance next to the emotional aspect, the functional identity of the product. Sound can be used to explain how to use a specific product; it can be used to understand the product better. The identity of a product consists of a functional and an emotional side. The examples mentioned so far all try to achieve a specific brand identity by adding a sound with a strong emotion being the promise of the brand values into their product." Soundscapes: SOUND DESIGN FOR CONSUMER ELECTRONICS http://www.omroep.nl/nps/radio/supplement/99/soundscapes/engelen.html NOTE: The Dutch potato chips referred to in the article above are not "Crocky," but "Croky." Croky http://www.croky.nl/ |
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Re: Sensory Branding
From: pinkfreud-ga on 16 Dec 2003 14:12 PST |
From an article about the Bentley Continental GT: "In many luxury cars, the primary acoustic aim is to reduce noise intrusion from the wind, road, suspension and powertrain to create the greatest level of refinement possible. But when you are charged with creating an all-new Bentley some rather more subjective and no less important considerations need to be accommodated. In short, the Continental GT needs not only to look like a Bentley from bumper to bumper, it needs to sound like one too. Bentley's acoustic engineers have been at work since the very start of the Continental GT project deciding first how the car should sound and then determining how that sound should be achieved. So important is their work that they were able to influence the design of both the intake and exhaust manifolds to make sure a true, unique and instantly identifiable Bentley soundtrack would greet the occupants. Bentley also carried out extensive customer research among existing Bentley owners and prospects who will be new to the marque, in conjunction with benchmarking the sound quality and quantity of other luxury sportscars. The sound of the Continental GT is therefore deep, smooth, muscular and inspiring." Auto Spies: Bentley Continental GT launches http://www.imakenews.com/autospies/e_article000171724.cfm |
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Re: Sensory Branding
From: knowledge_seeker-ga on 17 Dec 2003 05:00 PST |
Good Morning Martin! Here's something I came across in regards to scent enhancement -- "Over the years there had been various attempts at filling a movie theater with smells linked to the film being shown. Around 1915, a silent exhibitor distributed a tinted newsreel of the Rose Parade that came with Flit guns of rose sent so that the theater ushers could walk the isles pumping perfume while the film was being shown. In 1940, the Clark Gable & Spencer Tracy vehicle `Boom Town' subjected certain unfortunate audiences to the smell of crude oil pumped into the theater's ventilation system. This went over so poorly, that nobody tried anything like for years. The `Smell-o-vision' used in Sent Of Mystery was an elaborate system that had vials of several scents within a rotating drum beside each theater seat. These drums were rotated on silent cues actually recorded onto the film's magnetic soundtrack. Each sent was puffed at the patron via compressed air, and in the system's real innovation, each sent was then nullified by another puff of fresh air when the scene was over." Scent of Mystery (1960) - Movie Review http://www.imdb.com/title/tt0054271/#comment That's second-hand information (a movie review), but if you're interested I'll do some follow-up research on it. -K~ |
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